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Law & Order 

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Follows a crime (usually a murder), usually adapted from current headlines, from two separate vantage points, the police investigation and the prosecution in court.

Creator:

Dick Wolf
Reviews
Popularity
210 ( 4)

Episodes

Seasons


Years



20   19   18   17   16   15   14   13   12   … See all »
2010   2009   2008   2007   2006   2005   … See all »
Nominated for 6 Golden Globes. Another 46 wins & 196 nominations. See more awards »

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Cast

Complete series cast summary:
S. Epatha Merkerson ...  Anita Van Buren / ... 391 episodes, 1991-2010
Sam Waterston ...  Jack McCoy 368 episodes, 1994-2010
Jerry Orbach ...  Lennie Briscoe / ... 274 episodes, 1991-2004
Steven Hill ...  Adam Schiff 229 episodes, 1990-2000
Jesse L. Martin ...  Ed Green 198 episodes, 1999-2008
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Storyline

The show follows a crime, ususally adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court. Written by Mike Menditto

Plot Summary | Plot Synopsis

Taglines:

Meet the Detectives and Prosecutors with a duty to bring Law & Order to New York City. See more »


Certificate:

TV-14 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Bravo [Canada] | Channel 5 [UK] | See more »

Country:

USA

Language:

English

Release Date:

13 September 1990 (USA) See more »

Also Known As:

Law & Order Prime See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(456 Episodes)

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

The telephone records, LUDs, is Local Usage Details. See more »

Goofs

Some of the suspected criminals are shown fleeing or attempting to flee prosecution, which is not the "norm." The ones that attempt to flee do so in manners which ensure that they will be caught as some episodes have had people attempting to leave on buses from The Port Authority when there are several dozen areas around the city where a bus or train can be caught that will take you out of NYC. See more »

Quotes

Ben Stone: Unless the victim qualifies for sainthood, we shouldn't prosecute? Lyndon Johnson tried governing by opinion polls... It didn't work.
See more »

Crazy Credits

After the attack on the World Trade Center the opening was changed for one episode to reflect the sacrifices of the NYPD and the NYFD. See more »

Connections

Referenced in Teacher of the Year (2014) See more »

Soundtracks

I'm Not Driving Anymore
(Instrumental)
Written and Performed by Rob Dougan
(UK Version)
See more »

Frequently Asked Questions

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User Reviews

Gritty and Compelling Ensemble Drama That Works
27 September 2004 | by louiepattiSee all my reviews

This intense drama, now in its 15th season and still going strong, set the stage for ensemble drama, in which the cast plays a secondary role to the story. Law & Order, as originally conceived, drew the viewer into the process by which American law enforcement and litigation works, or doesn't, depending on the viewer's opinion. The first half-hour is devoted to the investigation of a crime, the second to its prosecution. Cases are made or lost by evidence, lack thereof, a technicality, or even judicial whim. Dick Wolf made it clear from day one that the cast was expendable; no prima donnas here. The first cast was all male, with one African-American. Wolf apparently caved to fan pressure for a more politically-correct spectrum, but it really didn't matter so long as the actors could carry the story forward. His best casting choice was Jerry Orbach, his worst Elisabeth Rohm, but with or without these people, the drama continues. In recent years, L&O has lost some of the grittiness that made it so compelling, and I do miss actors such as Steven Hill, Michael Moriarty, Chris Noth, Jill Hennessy and now Orbach, but the show is still far superior to the majority of what passes for prime-time programming. It only suffers in the rare episodes when a politically-correct message is pushed into the story, i.e., whenever it deviates from its original format of presenting how the criminal justice system works. Ignore the spinoffs; the original Law & Order is still the best.


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