Francis Urquhart announces his intention to seek the leadership of the Conservative Party and become Prime Minister. It's six days until the first ballot and Urquhart plots against his rivals. One by...
Francis Urqhart continues his surreptitious campaign to force Prime Minister Henry Collingridge's resignation. After the tabloids spend the summer excoriating the PM's brother Charles, it's time for ...
Francis Urquhart is too experienced a politician not to know that everything must end, even his long career as British prime minister. In order to secure his retirement and establish ... See full summary »
A documentary on the making of the three Godfather films, with interviews and recollections from the film makers and cast. This feature also includes the original screen tests of some of ... See full summary »
Francis Ford Coppola,
The Right Honorable James Hacker has landed the plum job of Cabinet Minister to the Department of Administration. At last he is in a position of power and can carry out some long-needed reforms - or so he thinks.
THE GODFATHER LEGACY goes deep inside Francis Ford Coppola's epic saga about the Corleone crime family and reveals how the Academy Award-winning film and its sequels became one of the most ... See full summary »
Chinese TV-series in 20 episodes based in the eponymous book by 'Boris Vasilyev (I)'. Sergeant Vaskov (Sokolov) is stationed at remote artillery post in Russia during WWII. He is in charge ... See full summary »
Francis Urquhart is the Chief Whip of the Conservative Party. When Margaret Thatcher resigns as leader, he remains neutral and, after a general election in which the Conservatives are returned with a reduced majority, he fully expects the new Prime Minister, Henry Collingridge, to give him his just reward: a senior Cabinet post. When he's informed that he is to stay in his current position, he devises a plot to unseat Collingridge and ensure his own election as party leader which would make him Prime Minister.Written by
Daniel Baker has mentioned echoes of Macbeth in HOC. One of the many clever things about it and its two sequels was the liberal use of quotations from Shakespeare and other dramatists of the period (I think I caught some from Middleton's "The Changeling").
After all, this really is Jacobean drama set in the 1990s!
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