In 1920s and 1930s New Zealand, Janet Frame grows up in a poor family with lots of brothers and sisters. Already at an early age she is different from the other kids. She gets an education ... See full summary »
A father along with his son and sister is driving back home in his car. The son continiously is throwing orange peels onto the road when suddenly the father stops the car and tells his son ... See full summary »
While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire P.J. Waters, a macho ... See full summary »
A look at three girls, young teens, in the era of the Beatles. Pam lives with parents who haven't spoken directly to each other in two years, using their daughters to talk across the table ... See full summary »
An American girl inherits a fortune and falls into a misguided relationship with a gentleman confidence artist whose true nature, including a barbed and covetous disposition, turns her life into a nightmare.
Two girls, at 15; Louise, in a prestigious girls' high school, and Kelly, who was admitted but forbidden by her father to attend. This is the end of their friendship, and from here the film... See full summary »
Based solely on a tea leaf reading, superstitious and introspective Kay believes she and Louis are destined to fall in love with each other, he who she is able to convince of the same despite he just having gotten engaged to her co-worker, Cheryl. That destiny may change with the fortunes of what she sees as the next symbol of their relationship, a somewhat sickly elder tree Louis plants in their garden for their one year anniversary. Their relationship is placed under a strain with the arrival of Kay's formerly institutionalized sister Dawn - nicknamed Sweetie - and Sweetie's current boyfriend, Bob, who Sweetie believes will help her get into show business. Kay's pleas to her father Gordon to help get Sweetie out of her house go largely ignored, as he has never judged Sweetie, who he still sees as his performing loving little girl. Gordon is facing his own issues as Kay and Sweetie's mother, Flo, has just left him on a trial separation, their issues largely stemming from his ...Written by
This is one of the most hilarious movies I have ever seen that deals with such dark issues. It focuses on two sisters, Dawn a.k.a. " Sweetie" and Kay, who both (as we see it) struggle with their psychological health. Kay seems somewhat conscious of, but at the same time unwilling to express her psychological problems. This seems to manifest itself in her sexual problems with Louis. Dawn, on the other hand, seems completely oblivious to the fact that she has problems, and seems to live her life freely and spontaneously. We see the interaction between these characters as a struggle between stifling repression and an out-of-control, externally-destructive unleashing of feelings. The film seems to reconcile these aspects until we reach some sort of balance at the end.
While the film deals with these serious subjects, it is in no way (as far as I'm concerned) a depressing movie. It's filled with comedy, which has been called "black comedy", but in my view the comedy itself doesn't have any heavy, negative under tones. The actress who plays Sweetie is an established comedian and her comedic acting is hilarious and convincing. Sweetie freely expresses herself, in ways that might seem childish to some, but are secretly ways we might like to act if it were accepted. Her character tells us that it's possibly to be so free and unfettered and survive, up to a point.
I love the scene where Sweetie's new, wasted "talent manager" boyfriend is taken to a cafe, by Sweetie's father, in order to get rid of him. At the table Sweetie's father begins to talk about how Sweetie "was such a talented little girl". The boyfriend then spontaneously falls asleep (he has some kind of sleeping sickness). At this point the father tries to remove the boyfriend's coat, which is actually Louis's (Kay's husband), and which they have been trying to get him out of for a long time. The boyfriend, still asleep, then falls to the floor dragging the contents of the table top with him, and ends splayed out on the floor in a baroque mess.
There are numerous comedic scenes like the one above, that weave in and out of the movies' main issues (i.e. control of oneself). Dawn's boyfriend, like Dawn (Sweetie), lacks control over his expression, in this case his actual, physical body.
To add to these delights, the movie is beautifully, artfully photographed and the sets are also artistically satisfying. The soundtrack includes beautiful African gospel. All-in-all, if you're receptive to emotions and understanding them, this will probably be one of the best movies you'll ever see.
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