We open up on the evening of March 5, 1982, with the dead body of John Belushi being reeled into a morgue. Suddenly, he awakens as if nothing had happened to him, and is about to undergo an autopsy. Frightened and confused, John goes back to retrace his steps, and find out what went wrong with his life. Meanwhile, journalist Bob Woodward researches Belushi's life as he prepares to write a book about the late comic actor. The story climaxes with Woodward directly conversing with Belushi during the actor's dying moments.Written by
John Landis and Bill Murray threatened to sue for invasion of privacy if their names were used in the film. The former is portrayed as a nameless director, while the latter doesn't appear at all. See more »
Hey, that's Arnie! That's my manager, Arnie Fromson! And he's with Woodward... Bob fucking Woodward! I can't believe it! I've always wanted to meet that guy! Hey, Arnie! Arnie! Hey, Arnie! Arnie! What's Arnie talking to Bob Woodward? I can't believe it, Bob Woodward! I used to do that guy!
And now he's doing you.
What do you mean?
He's gonna be your biographer.
My biographer? Bob Woodward? I'll go down in history!
Yeah! He's gonna do for your what he did for Nixon.
He's gonna call...
[...] See more »
Someone once said that John Belushi was a combination of Lou Costello and Vlad the Impaler! He wanted to grab the whole world and snort it. This was Michael Chiklis's first big part (he's now the rogue cop on The Shield). He does a convincing job bringing Belushi to life in all his madness. They do a good recreation of him and Dan Aykroyd doing their Blues Brothers routine. Did Belushi have a sub-conscious death wish? It would seem he did. Like the phantom cabbie tells him "Life is not for everyone". The whole "angel" thing is original but it does make the movie confusing and hard to follow. Belushi wanted it all but it was too much. Like Elvis, Belushi was a case of too much and too fast.
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