A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
The Roses, Barbara and Oliver, live happily as a married couple. Then she starts to wonder what life would be like without Oliver, and likes what she sees. Both want to stay in the house, and so they begin a campaign to force each other to leave. In the middle of the fighting is D'Amato, the divorce lawyer. He gets to see how far both will go to get rid of the other, and boy do they go far..Written by
Appearing in the film as Dr. Hillerman was actor Michael Adler who was the son of the film's source author Warren Adler who wrote "The War of the Roses" novel. See more »
When Barbara drives her truck at Oliver and his car, the white 'scarf' of her dress is draped over and hanging out the driver side window. When she spins the truck after her first pass, the scarf is gone; after the cut-away to Oliver and then back to Barbara, the scarf is hanging out the window again. See more »
[Gavin is talking to a client]
You have some valid reasons for wanting a divorce.
[blows his nose with a handkerchief]
Excuse me. My sinuses are very sensitive to irritants.
[sprays nasal decongestant up his nostrils]
In the past five months, I think I've breathed freely with both sides working maybe a week total.
[pulls a cigarette out of a pack]
I gotta cut this out. It's gonna kill me.
[lights his cigarette]
I hadn't smoked for thirteen years. I kept the last cigarette from my last ...
[...] See more »
A very good movie, one that holds up well after repeated viewings. Even if you're familiar with the story, DeVito's methodical and precise direction makes it thoroughly absorbing all over again. This movie has the directorial perfection of a good Alfred Hitchcock thriller, but it's not either a thriller or a comedy; it's a unique mix of elements from several genres, that does contain some laughs and sardonic humor, but also has serious undertones, mostly thanks to Michael Douglas' three-dimensional character and surprisingly sensitive performance. Strongly recommended.
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