A new collection of Weird Al Yankovic's parody and original music videos, including "The Saga Begins" and "All About The Pentiums" from the "Running With Scissors" album and "Bob" from the "Poodle Hat" album.
Fact and fiction are mingled in this mockumentary about the career of music parodist "Weird Al" Yankovic. In retelling his life story, the film includes several of his music videos, ... See full summary »
Robert K. Weiss
'Weird Al' Yankovic,
This is a collection of "Weird Al" Yankovic's music videos from 1983 to 1996. It also includes the title sequence he did for the movie "Spy Hard", without, for some odd legal reason, the actual titles.
George Newman is a daydreamer whose hyperactive imagination keeps him from holding a steady job. His uncle decides George would be the perfect man to manage Channel 62, a television station which is losing money and viewers fast. When George replaces the station's reruns with bizarre programs such as "Stanley Spadowski's Clubhouse", "Wheel of Fish" and "Raul's Wild Kingdom", ratings begin to soar again. Mean-spirited and cynical mogul R.J. Fletcher becomes furious that the UHF station is getting better ratings than his network's programming. Because of gambling debts, the uncle is forced to consider selling the station to Fletcher, who would only too happily shut down (he cannot legally own two stations in the same town). George and his friends organize a 48-hour telethon to raise the money by selling investment stock from Channel 62 to save the town's new favorite station.Written by
MGM/UA Home Video
The performers shown in the telethon (the Kipper Kids, the upside-down guitar-playing yodeler, Uncle Sam on stilts, etc) were all real acts. See more »
The Bum told Fletcher that the penny he gave him was a 1955 doubled-die Denver mint penny. However the 1955 doubled-die cent was made in Philadelphia, not in Denver. See more »
Spatula City, we sell spatulas - and that's all!
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The Comedy Central version deletes quite a little out of such a short film - mainly bits related to animal cruelty, such as much of the "Raul's Wild Kingdom" scene (involving teaching poodles how to fly) and the punchline of car commercial (the owner threatens to club a baby seal if buyers don't come). Among other bits deleted: a scene regarding gun nuts; part of the scene where Emo Phillips loses a finger in a saw; most of the first "Uncle Nutzy's Clubhouse" scene (probably because the final punchline involves a guy eating dog treats by accident); the part of the "Conan the Librarian" sequence where a guy says he has an overdue library book, and Conan bloodlessly cuts him in half with his sword; a sequence with an elderly lady who knees R.J. Fletcher in the crotch. See more »
It's very telling that I had to look 15 pages deep into the user comments to find one negative review of this movie. And the negative reviews were from insufferable snots.
This movie made me laugh as a teenager, but it also makes me laugh as a fully grown adult. Does that mean the humor is dumb or sophomoric? Not necessarily. What exactly is "adult humor" anyway? Does it necessarily need to contain graphic depictions of sex and generous uses of profanity to be considered sophisticated and adult?? I contend that it does not, and I cite UHF as an example.
The laughs here are genuine, and they come from lack of pretentiousness and an honest feeling that one need not take oneself too seriously at any given moment. Al lets us know that it's OK to make fun of yourself as well as the rest of society. Much of what he does is self-deprecating, and UHF is no exception. He doesn't stand around making fun of others and establishing an air of superiority over the rest of society. As George Newman, he becomes the everyman, infusing much of his own personality along with his on-stage comedic persona. And he's not afraid to kick himself around and then proceed to pull himself up via his own bootstraps. Nobody else has to be hurt.
Plot has never been a big necessity in these spoof/parody movies. "The Naked Gun," "Airplane," "Top Secret," "Johnny Dangerously," and many others have had the most skeletal of plots. Cop must find and bring to justice bad guy who shot his friend. Burned out ex-pilot must save aircraft when crew dies. Rock and roll star must overthrow Nazi plot. Mobster must overcome those who wish to take him down. And in "UHF" we have Loser Man must save TV station from evil network exec. The plot is not important; it's just a vehicle to get us from laugh to laugh and set up the next joke.
UHF's comedy, though basic, rings true, and if you'll drop all of your pretentious airs, you'll get it. (We all know you're not nearly as sophisticated as you think you are anyway.) Who among us can keep from laughing while Raul teaches poodles to fly? Who can stifle a chuckle when Stanley is doing... well... doing just about everything he does in this film? Al admits in his commentaries and interviews that "UHF" is no "Citizen Kane." But that's the beauty of it. There's nothing complex here. It's all about the laugh, and there's where this movie really scores.
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