George Newman is a daydreamer whose hyperactive imagination keeps him from holding a steady job. His uncle decides George would be the perfect man to manage Channel 62, a television station which is losing money and viewers fast. When George replaces the station's reruns with bizarre programs such as "Stanley Spadowski's Clubhouse", "Wheel of Fish" and "Raul's Wild Kingdom", ratings begin to soar again. Mean-spirited and cynical mogul R.J. Fletcher becomes furious that the UHF station is getting better ratings than his network's programming. Because of gambling debts, the uncle is forced to consider selling the station to Fletcher, who would only too happily shut down (he cannot legally own two stations in the same town). George and his friends organize a 48-hour telethon to raise the money by selling investment stock from Channel 62 to save the town's new favorite station.Written by
MGM/UA Home Video
On a TV commerical for "Conan the Librarian" the time that it says the program comes on is 7:30pm. A few scenes later George is setting up the Fall UHF line up on a magnetic board - and you can see on the board that Stanley Spudosky's Club House comes on every day of the week from 7:00pm to 8:00pm. See more »
The DVD Special Edition contains deleted scenes (separately from the movie) which include:
Two extra endings for the Emo thumb-severing scene (in the first he places the severed thumb in his pocket, and in the second he puts it in his mouth for safekeeping).
Extra scenes of George and Teri exploring the U62 station; scenes of George talking to the receptionist at the dentist's office where Teri works; George being turned down for a loan; R.J. practicing for his anti-U62 telecast; Richard making fun of MacIntosh (Billy Barty); a whole subplot about the head thug being afraid of insects, attempting to steal a briefcase full of U62's money and stealing a briefcase full of bugs Philo had collected instead, concluded by the thugs opening the briefcase while driving home and crashing; and other exciting moments that were not funny enough to remain in the film.
Alternate scenes were filmed with Stanley singing "Helter Skelter" instead of "Bonanza".
A brief gag taking place when the thugs knock on Stanley's door; they say "Pizza!" and Stanley responds "Pizza who?"
Other scenes which did not succeed include an explanation of why the martial arts teacher showed up to save George and Stanley (on the DVD commentary, Weird Al said that it was decided that no one would really care); another gag in the Indiana Jones parody had a payphone in the cave ring, George picking it up and a voice begging him not to go in (and him hanging up and, of course, going in anyway); and more footage of the Kipper Kids (the guys with the big chins at the telethon).
More scenes were originally scheduled for Trinidad Silva (Raul) but he was killed by a drunk driver during shooting. Scenes included a piece at the end where Poodles attack him in vengeance for the ones he taught to fly. It was briefly considered to reshoot his scenes with someone else who could finish them but it was finally decided to just leave his scenes in and forget the unfilmed ones. The movie (if you watch to the very end) was dedicated to his memory.
It's very telling that I had to look 15 pages deep into the user comments to find one negative review of this movie. And the negative reviews were from insufferable snots.
This movie made me laugh as a teenager, but it also makes me laugh as a fully grown adult. Does that mean the humor is dumb or sophomoric? Not necessarily. What exactly is "adult humor" anyway? Does it necessarily need to contain graphic depictions of sex and generous uses of profanity to be considered sophisticated and adult?? I contend that it does not, and I cite UHF as an example.
The laughs here are genuine, and they come from lack of pretentiousness and an honest feeling that one need not take oneself too seriously at any given moment. Al lets us know that it's OK to make fun of yourself as well as the rest of society. Much of what he does is self-deprecating, and UHF is no exception. He doesn't stand around making fun of others and establishing an air of superiority over the rest of society. As George Newman, he becomes the everyman, infusing much of his own personality along with his on-stage comedic persona. And he's not afraid to kick himself around and then proceed to pull himself up via his own bootstraps. Nobody else has to be hurt.
Plot has never been a big necessity in these spoof/parody movies. "The Naked Gun," "Airplane," "Top Secret," "Johnny Dangerously," and many others have had the most skeletal of plots. Cop must find and bring to justice bad guy who shot his friend. Burned out ex-pilot must save aircraft when crew dies. Rock and roll star must overthrow Nazi plot. Mobster must overcome those who wish to take him down. And in "UHF" we have Loser Man must save TV station from evil network exec. The plot is not important; it's just a vehicle to get us from laugh to laugh and set up the next joke.
UHF's comedy, though basic, rings true, and if you'll drop all of your pretentious airs, you'll get it. (We all know you're not nearly as sophisticated as you think you are anyway.) Who among us can keep from laughing while Raul teaches poodles to fly? Who can stifle a chuckle when Stanley is doing... well... doing just about everything he does in this film? Al admits in his commentaries and interviews that "UHF" is no "Citizen Kane." But that's the beauty of it. There's nothing complex here. It's all about the laugh, and there's where this movie really scores.
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