The polar opposites, Ray Tango, a suave and sophisticated police officer, and Gabe Cash, his overzealous long-haired partner, are a mismatched LAPD crime-fighting duo who work tirelessly to bring down their arch-nemesis, the ruthless drug lord, Yves Perret. However, when Perret manages to incriminate the pesty team with falsified evidence, Ray and Gabe will soon end up in a maximum-security prison, where an almost endless parade of inmates previously incarcerated by them, are waiting for their captors impatiently. Now, more than ever, Tango and Cash need to put their differences aside to come up quickly with a good plan, not only to escape the jail's walls but also to even the score with the evil kingpin who put them behind bars once and for all. Of course, that's easier said than done.Written by
The scene where Tango faces an oncoming truck with nothing but a gun was borrowed from Police Story (1985), where Jackie Chan performed the stunt. As a "response", Chan would later reference the make shift zip-line prison escape moment in this film in a scene early in the third installment of the Police Story series, Supercop (1992) See more »
When Tango is reading the sugar prices in his new jail cell, his newspaper is already ripped 2-3 inches from the top along the seam, before his cell mate throws the slinky and rips it totally. In previous shots during the same scene the newspaper has no such rip. See more »
Detective Cash assaulted me. He put a chair on my chest and sat on it.
[Tango looks at Cash, surprised]
I couldn't find a piano.
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The film's distributor actually self-censored the British theatrical version before submitting it to the BBFC. In addition to the footage the BBFC demanded cut, the UK theatrical release also tones down the electrocution of a villain, edited footage of visible bloodletting during the finale, omits some footage of Lopez being riddled with bullets, another head-butt, a throat chop, a villain pushing his fingers into Cash's blood wound, and Cash putting a grenade down a villain's trousers. All footage was reinstated for video. See more »
That's what "Tango and Cash" feels like; everyone knows where they're going, but they just don't know how to get there.
There are a lot of laughs in this movie. In fact, the laugh ratio scores higher than the action, explosions and buddy elements do. That may not be what they had in mind, but it kept me entertained most of the way.
Stallone and Russell do what they can, Hatcher is window dressing and the worst fate is held for Palance (as it usually is). Does he look like an Yves Perret? No, he doesn't act like one, either. He just looks and acts like Palance: hitting his marks and saying his lines, earning his paycheck like a good trooper. He saved the good stuff for "City Slickers", most likely.
As far as good acting goes, look to Lewis as Stallone's commander and Pollard as a little guy who makes stuff for Russell to battle crime with. Do LA cops really need guys like Pollard? Maybe not, but they do come in handy.
The rest of this is just action scenes that are pretty boring if you're familiar with cop movies, buddy scenes that don't quite mesh and a shower scene in prison that, as far as laughs go, is the highlight of the whole thing.
Should you brave "Tango and Cash", you'll agree: as a cop buddy movie, it makes a great comedy.
Five stars, and don't flatter yourself...Pee-Wee.
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