Pivoting around the lively Truvy Jones' Louisiana beauty parlour, a tightly-knit band of friends, confront griefs, loss, life's unforeseen tragedies and heartaches with what they do best: gossiping and sharing. The spirited diabetic and bride-to-be, Shelby; her always supportive mother, M'Lynn; Truvy's gawky assistant, Annelle; the city's curmudgeon, Ouiser; and the town's former first lady, Clairee, are the warm Southern belles who know how to survive life's challenges with their unwavering friendship. But when Shelby decides to conceive, things will turn upside down..Written by
This movie was based on a play written about a sister of Phi Mu Fraternity. Susan Harling was a member of the Kappa Iota chapter, and her brother Robert Harling wrote the play and the screenplay for this movie. See more »
In Truvy's salon after Shelby gets done telling the ladies about her upcoming kidney transplant, Shelby gives her right hand to Truvy twice to finish her manicure. See more »
Another movie that is part of my permanent video collection and never get tired of watching, STEEL MAGNOLIAS is the beautifully expanded version of Robert Harling's play about the relationship between six women who frequent the same beauty parlor. I am pretty sure the first phrase that comes to mind for most people when this film is mentioned is "Chick Flick", but, as a male, I happily admit to loving to watch this movie over and over again, not just because of the six charismatic performances by the actresses, but because this film also has one of the funniest screenplays ever written. Claree: "The only thing that separates us from the animals is our ability to accessorize." Truvy: "Ruth Robeline...now there's a story...her whole life has been an experiment in terror...first her husband was killed in WWII and then her son was killed in Vietnam... I tell you, when it comes to suffering, she's right up there with Elizbeth Taylor." Claree: "well, you always know what I say...if you can't think anything nice to say about anybody, come sit by me." Ouiser: "I'm not crazy...I've just been in a bad mood for the last thirty years." And just when you think your sides about to split open from laughing so hard, the film takes a tragic turn and you're reaching for the Kleenex. The scene in the cemetery is riveting, thanks primarily to a flawless and raw performance by Sally Field, who climaxes what is already a beautiful and commanding performance in the film, with her rage against God as her only outlet of grief at the moment. This scene makes me cry every time I watch the movie. An appeal to the gentlemen out there who have never seen this movie: Give it a chance. I did and I have never regretted it.
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