After she discovers that her boyfriend has betrayed her, Hilary O'Neil is looking for a new start and a new job. She begins to work as a private nurse for a young man suffering from blood ... See full summary »
Pivoting around the lively Truvy Jones' Louisiana beauty parlour, a tightly-knit band of friends, confront griefs, loss, life's unforeseen tragedies and heartaches with what they do best: gossiping and sharing. The spirited diabetic and bride-to-be, Shelby; her always supportive mother, M'Lynn; Truvy's gawky assistant, Annelle; the city's curmudgeon, Ouiser; and the town's former first lady, Clairee, are the warm Southern belles who know how to survive life's challenges with their unwavering friendship. But when Shelby decides to conceive, things will turn upside down..Written by
Ouiser mentions that she and her friends used to dress up like nuns and go barhopping when they were young. Shirley MacLaine played a woman who dressed up as a whiskey-drinking nun in Two Mules for Sister Sara (1970). She also dressed up as a nun in Cannonball Run II (1984). See more »
At the Christmas Holiday Festival, Truvy and Annelle are working the concession stand. Truvy hands a box of food to a woman standing next to Shelby. The woman hands Truvy a bill and has her arm out-stretched for the change. Truvy hands the money to Annelle. The shot changes, Annelle appears to give the change to the woman. It then goes back to the original shot the arm is still outstretched for the change. See more »
"Steel magnolias" is a chronicle of a small circle of friends .The actresses get the lion's share ,which has become unusual ;that alone is cause for celebration,mainly when the cast includes a grumpy sullen Shirley McLaine who overplays as hell,Sally -never without my daughter-Field,A holier-than- thou but good -hearted Daryl Hannah wearing horrible glasses ,a very young Julia Roberts who was more endearing than she is now in such parts as "Brockovich" and of course Dolly Parton -too bad she does not sing-.
The dramatic plot -Shelby's illness- is kept to the minimum,at least in the first hour.Then when the tragedy strikes,Herbert Ross avoids pathos and melodrama (it's not the return of Douglas Sirk).And the last scene is wonderful,Easter meaning a renaissance .As usual,Georges Delerue's score superbly enhances the film :he's so good a musician that even when the movie bores you (Godard's "le mépris" for instance,as far as I'm concerned),his tuneful work survives.
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