Roadkill

An interesting look at one woman's journey of discovery, Ramona must find the ambulatory band, Children of Paradise, in order to find herself. Like Dorothy in The Wizard of Oz, Ramona meets a cab driver without a brain, a film-maker without a heart, and a serial killer without courage. In leading them to their own paths of personal growth, she discovers her own. An excellent, little film that is worth checking out though it may be difficult to find outside of Canada.

This is a totally awesome film. I first saw it when I was 17 and I have watched it many times since, each time gaining something new out of it. Surprisingly philosophical, "Roadkill" will make you think about life, purpose and the universe, it will also make you laugh and, yes, it will make you hum along to it's rocking soundtrack too. From the atmospheric black and white cinematography, to the evocative landscapes of Northland Ontario, to the magnificent, likable and witty character realizations, this is a seminal film that takes an original slant to what could have been a dried out and dusty subject; every member of the cast and crew give superb performances and I love them for it. Can you tell that I'm a fan? Don't, however, expect anything of the same high standard from the kinda sequel "Hard Core Logo", which I found to be pretty lame indeed. In sum, "Roadkill" rules and, to be honest, no sequel (no matter how 'kinda') could ever do it justice.

Roadkill is the first feature film from Canadian director Bruce McDonald. I can't profess to know much about him; but his directorial style reminded me of Jim Jarmusch, though this film is more low-key than most of Jarmusch's oeuvre. This film is shot in black and white, and it's clear that the director had only a shoestring budget to work with. The film triumphs over its budget, however, and that's thanks to a constantly interesting script, a rather strange atmosphere and a handful of good ideas. The film takes place in the world of rock and roll and focuses on a young woman named Ramona. Ramona has been sent by her boss, who owns a record company, to track down a lost band named Children of Paradise. Because Ramona can't drive (despite claiming to her boss that she could), she is forced to hire a taxi to drive across the country in search of the missing band. Along the way, she meets a variety of weird and wonderful characters.

The film is very free flowing and it's never obvious where it's going to go next. This is a big asset to the film as it means it stays fresh and interesting for most of the duration. It does feel very raw, mostly owing to the lack of budget and the amateurish feel of the film is complimented by some rather casual performances. The lead role is taken by Valerie Buhagiar, who is not exactly the best actress you're ever likely to see; but actually fits the role well and her performance typifies the film. The film is about rock and roll and as such there's plenty of it featured. I've got to say that most of the songs featured in the film are not my type of music; though a number titled "We Will be the Leaders" by Nash the Slash is rather good. The film has a number of standout scenes that are likely to be remembered once it's finished; and a sequence with an aspiring serial killer is by far the best of them. Overall, this is a rather strange film and surely wont to everyone's tastes; but it's worth a look and I'd recommend it.

'Roadkill' is the second best Canadian rock'n'roll movie ever. The best one, in case you're interested, is 'Hard Core Logo'. Both movies are directed by Bruce McDonald, and it is a pity that very few people outside Canada are familiar with his work. (I'm guessing very few people IN Canada are either, but such is the way of the world...). McDonald's collaborator writer/actor Don McKellar went on to make the brilliant end of the world movie 'Last Night' sans McDonald, but the two make a great team, as this movie, and the equally original and quirky 'Highway 61' show. 'Highway 61's star Valerie Buhagiar also stars here, but in quite a different role, as Ramona, the inexperienced and tentative assistant of a sleazy rock promoter, Roy Seth (Gerry Quigley). Seth sends Ramona on an errand, to round up the Children Of Paradise, a flaky rock band who are making a mess of their tour, and losing him money. As she doesn't drive, she enlists the help of Buddy (Larry Hudson) a chatty cabbie with a million rock'n'roll anecdotes. Ramona and Buddy eventually lose track of each other, and she ends up lost and broke in Ontario, the Children Of Paradise's runaway lead singer nowhere to be found. Ramona's adventures continue, and she makes some strange acquaintances along the way, not least of which Russel the wanna-be serial killer (Don McKellar). This is a very strange, dark and (mostly) unpredictable low budget gem that should appeal to fans of odd films like 'Roadside Prophets', 'Motorama', early Jarmusch and the Coen brothers. It may not be a masterpiece but it's still an overlooked little beauty, and I wholeheartedly recommend it.

Ramona (Valerie Buhagiar) is a meek worker at a Toronto record label. The rock band 'Children of Paradise' has gone off the deep end in Northern Ontario. The record label chief wants to terminate their tour. Ramona insists on going north to find them for her job despite not knowing how to drive. It's a strange odyssey. The lead singer Matthew has disappeared. On the road, she encounters various characters including roadkill filmmaker Bruce Shack (Bruce McDonald) and aspiring serial killer Russell (Don McKellar).

This is a black and white cult Canadian indie rock independent movie. It starts with a compelling guerrilla filming of the Toronto Passion Play. Director Bruce McDonald has a sizable supporting role. He's not a good actor but often, an indie can't find good enough actors. This does have the intriguing Buhagiar and the wonderful McKellar. She is able to hold the center and he has some brilliant turns. I wish he is in more of the movie. There is great indie music from the era and this is utterly memorable.