The hero-worship that Simone has for a pop singer is built to a crescendo until she passes out when she finally sees him up-close in a crowd of fans pushing him for autographs. She is later... See full summary »
One morning, a young man wakes to find that a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but demands human victims in return.
Michael Laemie (played by Brian Madorsky) is a young boy living in a typical 1950's suburbanite home... except for his bizarre and horrific nightmares, and continued unease around his parents. Especially his father, Nick Laemie (played by Randy Quaid). Young Michael begins to suspect his parents are cooking more than just hamburgers on the grill outside, but has trouble explaining his fears to his new-found friend Sheila, or the school's social worker.Written by
Jeff Mercer <email@example.com>
The film's appropriately bizarre title for its Germany release was 'Daddy ist ein Kannibale', or 'Daddy is a Cannibal!' See more »
When Nick Laemle slaps the cinder block basement wall, it visibly flexes. See more »
I have here an opportunity
[holds out a pen to Michael]
this pen is made of chemicals, but if I took these same chemicals and recombined them, I could make an automobile, or an electric light! The whole world is made of chemicals Micheal, you can make anything! And if you're smart... you'll make opportunities.
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A fantastic cannibal-suburbia-50s Americana-horror-comedy
Years go by and I still adore Parents and make sure to watch it every so often. Impeccable casting, including a never-better Randy Quaid, Mary Beth Hurt, and Sandy Dennis, truly energizes the film. Preteen lead Bryan Madorsky has become a personal hero of mine, perfectly capturing the essence of fear and revilement that ten-year-olds can develop for their seemingly monstrous parents. Unfortunately for Madorsky's character Michael, his parents truly are monsters. I love the burgeoning friendship/romance between the two young kids, particularly in the telling sequences where they get drunk and end up in the freezer and where they speculate on the secret lives of their parents. And any movie that uses Perez Prado's "Cherry Pink and Apple Blossom White" over the opening credits is peachy in my book.
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