With the help of a talking freeway billboard, a wacky weatherman tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early 1990s Los Angeles.
Richard E. Grant
The story of the Buckman family and friends, attempting to bring up their children. They suffer/enjoy all the events that occur: estranged relatives, the "black sheep" of the family, the eccentrics, the skeletons in the closet, and the rebellious teenagers.Written by
Murray Chapman <email@example.com>
In the opening scene at the ballpark, the base runner has a decided limp, because he pulled his hamstring on one of the first dozen takes of the shot. The shot in the film, is one they settled on after approximately twenty takes, due to the fact that the hitter was unable to hit the ball into center field. The hitter was a college player, not a professional, as originally dictated to the casting department. See more »
When Helen is comforting Julie on the couch after she comes home with the police, she is barefoot. When the two get up to go to the kitchen, she is wearing shoes. See more »
[whimpers as she flips through the stack of sex photos of Julie and Tod]
[Julie enters the room and Helen holds up a picture]
I... I... I think this this one is my favorite.
It was just for fun, Mom.
Well, I'm glad to know it's not a job. That's that Tod, isn't it? There's one with his face.
[as she looks closer at the photos]
Is that what bothers you? That I did those things? Or that I did those things with Tod?
Gee whiz, Julie, so many things bother me about this, I don't know where to separate ...
[...] See more »
At the end of the credits: "Caution: Inhaling of helium from balloons is dangerous, and can cause serious injury or death." See more »
Parenthood is a thoroughly enjoyable comedy drama that you feel doesn't take as many convenient short cuts as many family movies do. Everyone has a colorful family to some extent; most (I hope) are full of good natured people but there are always rotten apples floating around.
Director Ron Howard puts many lives on display and different challenges each one faces and every one of these inspections have something to offer. Steve Martin's reactions to his older son's adjustment problems are very well realized, with many humorous moments, to be sure, but at the core is a maturely handled and moving segment, and Martin has rarely been better.
Diane Wiest's family drama consists of her inability to communicate properly to her two teenage children; the daughter a temperamental rebel with a "loser" boyfriend, the son a nearly recluse loner with raging hormones who thinks something is wrong with him (what guy hasn't been there at least once?). Superb performances form Wiest and (yes, surprisingly) Keanu Reeves really fuel this story which never loses itself despite seeing many humorous aspects in a rather depressing household.
Jason Robards plays the family father who hasn't been all that good to his children since...well ever, and he faces a tough assignment when he has to admit to himself that one of his children, who has learned the most from him, is heading into disaster fast. The scene where he asks Steve Martin for advice is a moving scene in so many ways; it's never too late for an old dog to learn new tricks.
Rick Moranis's tale of his insanely intellectual daughter is my least favorite but it does have a very charming conclusion. And that granny is priceless.
Parenthood may be even better for those who have children and can identify with some situations depicted here but as for me, I think I can learn a thing or two for years to come.
14 of 18 people found this review helpful.
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