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8 user 10 critic

El niño de la luna (1989)

Adopted by a treacherous semi-scientific cult where extraordinary mental powers are common, extraordinary 12-year-old David begins an archetypal journey across two continents to find his destiny as Child of the Moon.

Director:

Agustí Villaronga
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5 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Maribel Martín ... Victoria
Lisa Gerrard ... Georgina
Enrique Saldana Enrique Saldana ... David
Lucia Bosé ... Directora
David Sust ... Edgar
Mary Carrillo ... Anciana carbonera
Günter Meisner ... Abuelo militar (as Günter Meissner)
Heidi Ben Amar Heidi Ben Amar ... Mid-e-mid
Lydia Azzopardi Lydia Azzopardi ... Abuela mora
Jack Birkett Jack Birkett ... Inválido
Lluís Homar ... Hombre 1.º cabaña
Albert Dueso Albert Dueso ... Hombre 2.º cabaña
Joaquim Cardona Joaquim Cardona ... Director Orfanato (as Joaquín Cardona)
Lydia Zimmermann Lydia Zimmermann ... Cuidadora Centro
Ramon Colomina Ramon Colomina ... Hombre Telekinesis (as Ramón Colominas)
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Storyline

Since ancient times, a tribe on the African continent has been prophesying that a white boy will arrive to be their god: the Son of the Moon. David, a 12-year-old orphan who lives in Europe, learns about the prophecy and believes that he is the chosen child and that destiny must be fulfilled at any cost. Before David can fulfill his prophecy he must escape the heavily guarded scientific organization that has adopted him. David's strange behavior and the fact that he possesses extrasensory perception, has attracted the attention of an organization researching so-called "prodigious beings" in the occult tradition. David soon discovers that their goal is to channel the moon's energy into a child yet to be born, robbing him of his rightful place as the Son of the Moon. Two women, Victoria, a member of the center, and Georgina, the future mother of the supposed moonchild, will help David fulfill his destiny. After several attempts David manages to escape the center and undergoes a series ... Written by Jim Stark

Plot Summary | Add Synopsis

Genres:

Fantasy | Sci-Fi

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Details

Country:

Spain

Language:

Spanish

Release Date:

2 April 1992 (Japan) See more »

Also Known As:

Moon Child See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color (Eastmancolor)
See full technical specs »

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User Reviews

 
One of the most bizarrely inept films I've ever seen
18 July 2015 | by crculverSee all my reviews

The protagonist of Augustin Villaronga's 1989 film EL NIÑO DE LA LUNA (Moonchild) is David (Enrique Saldana), a little orphan with, we're told, mysterious powers usually manifested as telekinesis. One day, David is adopted from the orphanage by the stern Ms. Victoria (Maribel Martin), only to find that his new home is a research facility where children like him are studied in an attempt to create some kind of supermen. Hearing that the uncivilized blacks of Africa have a prophecy about a white "child of the moon", the little misfit escapes, taking with him two other research specimens, Edgar (David Sust) and Georgina (Lisa Gerrard, best known as one half of Dead Can Dance).

This film has been unavailable for many years and is mainly forgotten. I imagine that most people searching for it are fans of Dead Can Dance wanting to see Lisa Gerrard's only acting credit and hear DCD's film score. Both are disappointments. Gerrard has no especial acting talent and she only succeeds in serving the story here because her character is written as borderline-retarded. Her dialogue is dubbed into Spanish too. For the most part, Dead Can Dance's soundtrack is generic synthesizer tones, and only at a brief few seconds do we hear material similar to that of their album of the same year THE SERPENT'S EGG.

The first half of EL NIÑO DE LA LUNA is basically shots of David in anguish alternating with foreboding images of the moon. The encounter of David with the black tribe is about as fair a depiction of Sub-Saharan Africa as Tintin in the Congo. This is a bad film, and one that provokes bafflement. We find a godawful script tied to lavish production values (especially set design and costumes). Who put up the money for this? And once it was inexplicably committed to film, who picked this as Spain's official entry for the Cannes Film Festival of that year? These are questions.


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