7.0/10
8,751
182 user 84 critic

Miracle Mile (1988)

A young man hears a chance phone call telling him that a nuclear war has started and missiles will hit his city in 70 minutes.

Director:

Steve De Jarnatt
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2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anthony Edwards ... Harry Washello
Mare Winningham ... Julie Peters
John Agar ... Ivan Peters
Lou Hancock ... Lucy Peters
Mykelti Williamson ... Wilson (as Mykel T. Williamson)
Kelly Jo Minter ... Charlotta (as Kelly Minter)
Kurt Fuller ... Gerstead
Denise Crosby ... Landa
Robert DoQui ... Fred the Cook (as Robert Doqui)
O-Lan Jones ... Waitress
Claude Earl Jones ... Harlan
Alan Rosenberg ... Mike
Danny De La Paz Danny De La Paz ... Transvestite
Earl Boen ... Drunk Man in Diner
Diane Delano ... Stewardess
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Storyline

A young man meets and falls in love with a young woman at the La Brea Tar Pits in Los Angeles. This area is known as Miracle Mile, and the whole movie takes place there. They make a date, which he misses, and while he is searching for her, he accidentally finds out that we (the United States) are about to start a nuclear war with the Soviet Union. He frantically searches for her so that they can escape Los Angeles. Written by Mark Logan <marklo@west.sun.com>

Plot Summary | Add Synopsis

Taglines:

There are 70 minutes to the end of the world. Where can you hide? See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

19 May 1989 (USA) See more »

Also Known As:

Miracle Mile See more »

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Box Office

Budget:

$3,700,000 (estimated)

Opening Weekend USA:

$341,401, 21 May 1989

Gross USA:

$1,145,404

Cumulative Worldwide Gross:

$1,145,404
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Ultra Stereo

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Steve De Jarnatt sent a copy of the script to Carl Sagan. See more »

Goofs

When Harry places the unconscious Julie in some random shopping cart you can clearly see that a pillow had been strategically placed to make the actress' back comfy. When he pulls her out again at the end of the ride you can see more pillows had been placed under her rear so as to make a totally comfy little nest. See more »

Quotes

Transvestite: Come on! Nobody believes this, do they? I mean if I said it, nobody would.
See more »

Crazy Credits

Dedicated to Doctor Biobrain See more »

Alternate Versions

A little-seen preview version of the film included a special effect of two diamonds hovering after the nuclear explosion, just preceding the end credits. In the theatrical version and subsequent DVD release from MGM, the diamonds do not appear following the nuclear blast, rather the credits simply roll. See more »

Connections

Referenced in Talking Dead: Close Your Eyes (2018) See more »

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User Reviews

 
what starts like a bad made-for-TV movie turns into a compelling character-driven sci-fi horror
3 April 2004 | by sdsalseroSee all my reviews

I first saw this movie on video around the time it was produced. I immediately liked it even though it was a bit bleak. But the late 80's were full of apocalyptic nuclear holocaust movies and this was the only one that stayed with me. Now, years later, I've just rewatched it (this time on DVD) and I still think it's a very good -- but not great -- movie.

Admittedly, there's some over-the-top 80's haircuts and costumes, stuff that would be seriously 'retro' nowadays. And the acting, particularly in the beginning, is 'obvious' and a bit tiring. But when the hero receives that fateful phone call, it all changes. Suddenly, it's like watching a stage-performance of a play, a pressure-cooker where everyone suspects everyone else and no one knows what's really going on.

In fact, one of the best parts of the screenplay is that we, the audience, also don't really know what to believe (until the very end). We watch the hero struggle with what to tell people who's help he needs: if he tells them the awful truth, they may not believe/help him; if he tells them a more believable lie, is he denying them the chance to survive or at least to die with their loved ones. Either way, both he and the people he meets turn to progressively more and more extreme behavior -- people die! . . . and what if it all turns-out to have been a hoax?

In all, I think this movie ranks as a great sci-fi film, and in the truest sense of the genre: What If. It's not about aliens or galactic empires or anything else that's more fantasy than reality. Instead, it's a situation that any of us could easily imagine and I think this is why it stayed with me all these years, why it now forms a part of the framework for my imagination whenever I find myself catastrophizing about terrorism or natural disaster, anything that could separate me from the ones I love. What would I do?


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