An NTSB investigator seeking the cause of an airline disaster meets a warrior woman from 1000 years in the future. She replaces the people from airplanes before they crash with corpses with the same features.
Bill Smith, chief investigator for the National Transportation Safety Board (NTSB), has been assigned to determine whether human error is the cause of an airline crash. He and his team of investigators are very confused by the words on the cockpit voice recorder by the crew relating to the crash. But at the same time, a theoretical physicist named Dr. Arnold Mayer has a real professional curiosity about the crash, which borders on science fiction. While giving a university lecture, he talks about time travel and the possibility of visitors from the future. Smith discovers the involvement of an organization of time travellers from a future Earth irreparably polluted who seek to rejuvenate mankind from those about to perish in the past.Written by
Anthony Pereyra <email@example.com>
The film takes place in 1989, 2989 and 1963. See more »
After Louise takes a shower, Sherman helps her put her uniform top on, but there is no sign she puts on or is wearing any other clothing. However, as the scene continues, Louise is seen wearing a type of pants/shorts as they walk together. See more »
Two different endings of this film exist. The first simply shows the destruction of Futureworld after Bill and Louise step through the Gate. The second shows an actual trip through the Gate after Futureworld is destroyed. See more »
One of the few real "B-movies" of the '80s--and a good one.
There seems to be some dispute here as to whether this is a good movie or not, and it all depends on what you expect going into it. If you go see (or rent) a sci-fi movie based on an obscure short story directed by the man who had Bo Derek battling a whale in "Orca" twelve years earlier, you have to expect some campiness. Just sit back and enjoy it. The premise of the story is actually quite good, with a little environmental message slipped in. In execution, the people behind this movie must have known that they did not have the budget for a special effects-laden thrill ride, so they decided to take the stylistic approach of making it with one eyebrow raised, a bittersweet melodrama that happens to have a few plane crashes and laser beams. It's "The Goodbye Girl" with time travel. How else do you explain the smarmy robot's flat line delivery, Cheryl Ladd's hairdo, the flight attendants' costumes? Camp, camp, camp. But at the same time, the "paradox" concept gives the mind something to chew. I think director Michael Anderson knew exactly what he was doing. Had this film been marketed differently, it would have easily recouped its budget. I think it's right up there with 1982's "Q"!
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