An NTSB investigator seeking the cause of an airline disaster meets a warrior woman from 1000 years in the future. She replaces the people from airplanes before they crash with corpses with the same features.
A former FBI profiler with the ability to look inside the mind of a killer begins working for the mysterious Millennium Group which investigates serial killers, conspiracies, the occult, and those obsessed with the end of the millennium.
Before they can complete renovations on their new inn, Widower (Ben Wilson) and daughter (Hillary) are visited by a woman seeking immediate lodging for her strange group of travellers. Why ... See full summary »
Razzle-dazzle showman Michael Todd hocked everything he had to make this spectacular presentation of Jules Verne's 1872 novel Around the World in 80 Days, the second film to be lensed in ... See full summary »
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
The Millennium Group invite an ex FBI profiler who has the ability to sight the evil of the mind of serial killers. The Millennium Group is an ancient group of people with special abilities to see good and evil.
Bill Smith, chief investigator for the National Transportation Safety Board (NTSB), has been assigned to determine whether human error is the cause of an airline crash. He and his team of investigators are very confused by the words on the cockpit voice recorder by the crew relating to the crash. But at the same time, a theoretical physicist named Dr. Arnold Mayer has a real professional curiosity about the crash, which borders on science fiction. While giving a university lecture, he talks about time travel and the possibility of visitors from the future. Smith discovers the involvement of an organization of time travellers from a future Earth irreparably polluted who seek to rejuvenate mankind from those about to perish in the past.Written by
Anthony Pereyra <firstname.lastname@example.org>
In the final scene, the viewer hears Sherman say: "This is not the end. This is not even the beginning of the end. It is the end of the beginning." These lines are paraphrased and borrowed from Winston Churchill's 10 November 1942 speech at the Lord Mayor's Luncheon, in which he used similar language to describe the turning of the tide of the Second World War in favour of the Allies. See more »
After Louise takes a shower, Sherman helps her put her uniform top on, but there is no sign she puts on or is wearing any other clothing. However, as the scene continues, Louise is seen wearing a type of pants/shorts as they walk together. See more »
Dr. Arnold Mayer:
[Addressing a lecture hall audience, possibly at the United Nations]
We've talked about quarks and anti-neutrinos. But, what about people? It's quite a step from demonstrating that sub-atomic particles can travel backward through time to saying that people can. What would be the result of people traveling in time? For one thing, paradoxes become possible. Say you build a time machine, go back and murder your father when he was ten years old. That means you were never born. And if you weren't, ...
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Two different endings of this film exist. The first simply shows the destruction of Futureworld after Bill and Louise step through the Gate. The second shows an actual trip through the Gate after Futureworld is destroyed. See more »
Millennium is mixed bag. The script is reasonably good - not too exciting, but thoughtful and well constructed. But there are some problems that drag the movie down.
The romance/relationship at the heart of the story is not bad, and has been unfairly panned. It's actually one of the strengths of the story. Kristofferson does a good job of playing a rather dull character without a lot going for him... a working stiff without much of a life, who wakes up a bit when he meets Cheryl Ladd's character.
Ladd underplays her part nicely, with a nice understanding of the nuances and double meanings of some of her dialogue. The directing is fine, low key, and the editing is good (apart from the ending, which I doubt was the editor's choice). The script sparkles most when it deals with Ladd's character, her difficulties in communicating across a profound cultural barrier, her inadvertently humorous faux pas when interacting with a world very different from her own. The "cigarette scene" in the restaurant is a classic.
There are some problems, mainly around the ending, some of the acting on the part of the minor characters, and the character of Sherman. I won't reveal the ending, but I will say it was disappointing, and probably responsible for the cool reception the film received. The robot Sherman is poorly designed and conceptualized, and drags down the rest of the story. It's not a question of budget, in Sherman's case, but of someone without a good intuitive feeling for science fiction concepts, making decisions about that character. He's not campy, to my mind, he's an embarrassment.
Some people posting here have complained about the dialogue. I think they may be missing the profound reason for Ladd's character's odd choices of words, and what the words reveal about her. Others have complained about the scenes that are shown twice, telling the same story from different points of view. I can understand that people looking for a more action packed movie could have been bored by these scenes, but they do reveal key information; they're not just reruns of the first, they're revelations. They're an effective device for showing the parallel but very different points of view of the key characters.
In sum, Millennium is a reasonably good but not great movie. It's frustrating because a genuinely good movie could be made from the existing footage if the robot was redone (redesigned digitally after the fact and given a better voice and better dialogue), and if the final voice-over was omitted. But I still like watching it and appreciate the elements that are successful in the movie.
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