Gus Cantrell is a major league pitcher in the twilight of his career. He contacted by Roger Dorn, General Manager of the Minnesota Twins, and offered the role of managing the Buzz, the ... See full summary »
Rachel Phelps is the new owner of the Cleveland Indians baseball team. However, her plans for the team are rather nefarious. She wants to move the team to Miami for the warmer climate and a new stadium. To justify the move, the team has to lose, and lose badly. So she assembles the worst possible team she can. Among these are a past-his-prime catcher with bad knees, a shrewd but past-his-prime pitcher, a young tearaway pitcher (and felon) with a 100 mph fastball but absolutely no control, a third baseman who is too wealthy and precious to dive, a voodoo-loving slugger who can't hit a curve ball and an energetic-but-naive lead off hitter and base-stealer who can't keep the ball on the ground. Against the odds, and after the inevitable initial failures, they iron out some of their faults and start to win, much to Ms Phelps' consternation.Written by
Jake is reading a copy of "Moby Dick" with the banner of fake publisher "Classic Comics" but later, on the team bus, he's reading comic copies of "The Deerslayer", "Song of Hiawatha", & "Crime & Punishment" with the real "Classics Illustrated" banner. See more »
When Dorn throws out a Yankee to end the top of the first inning in the final game Harry Doyle (Bob Uecker) says that he threw over to "Metcalf" but the first baseman's name was Ward, as that was what was on the back of his jersey. See more »
Good morning, gentlemen, and welcome to another season of Indians baseball.
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In the spring training scene in which Dorn challenges his prescribed calisthenics, an edited-for-television version of the film has Lou Brown blowing his nose in Dorn's contract rather than urinating on it. See more »
There have been some excellent baseball movies made from Field of Dreams to The Pride of the Yankees, but no movie based on the national pastime can ever claim to be as hysterically funny as Major League. Granted, the value of the original was hurt by the second and third attempts at re-creating the atmosphere. Those two films were an embarrassment to all involved.
Major League, however, personified the attitude of "Nothing to lose". Aside from the easily identified woes of the Cleveland franchise of the late-eighties, there were several actors in this film that had yet to hit big or had started to fall from grace. The incredibly strong language of the movie only made it seem that much more realistic.
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