After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
Mollie is a single mum who's on the lookout for a reliable and normal boyfriend. Her son Mikey, (unbeknownst to her) seems to have a better idea of which of the men she dates would make a good father figure! If only she could understand him...Written by
Murray Chapman <email@example.com>
According to the book "Ghostbuster's Daughter" by Violet Ramis Stiel, the character of Albert is based on her father, director Harold Ramis. See more »
When Molly and James are in the airplane and he's telling her to "take his stick", you can see the wall of the hangar behind them during the front shot. See more »
That's it! You have some exotic baby disease, and I look like I could play the lead in "Night of the Living Dead", and your father deserted us so that he could pork his interior decorator. I think you can safely say that it can't get any worse.
[coming through the front door]
I was wrong.
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James brings Mikey to see his new sister: Mollie: "Hi honey." James: "Mikey, this is your sister Julie." Mollie: "Hi Julie." Mikey: "Hi Julie." Julie (voice of Joan Rivers): "Don't start with me kid. I've had a day you wouldn't believe. Can we talk?" See more »
The UK cinema version was cut by the BBFC to remove one use of the word 'fuck' during the childbirth scene. This was restored to all later releases. See more »
As any engineer will tell you, bumblebees are not aerodynamically sound, they should not be able to fly. But they do.
This film is a single-premise, hi-concept, logline: the smartest person in the room is the newborn, and he "talks" to the audience.
The reason why this is a classic (yes it is!) is the talent: Amy Heckerling, at her peak, when she was the "next big thing." Kirstie Alley, also at her peak, before she disappeared from theatrical releases and reappeared as a spokesperson for Weight Watchers Travolta at the peak of his "first career" (he had a second career 5 years later with Pulp Fiction, a second career that carried him into the next century, literally) And -- my fave -- Bruce Willis just before he exploded onto the big screen. If you do the "Hollywood math" (inside joke) you will conclude that this deal was cut and signed before the box office results of Die Hard were known. Die Hard of course sent him into the stratosphere and voice work would be secondary for him from this point on, EVEN THOUGH HE WAS GREAT AT IT. In fact one of my top films of all time, OVER THE HEDGE (2006) has Bruce in it.
Fun flick. Much better than it sounds. MUCH
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