In Disney's beguiling animated romp, rebellious 16-year-old mermaid Ariel is fascinated with life on land. On one of her visits to the surface, which are forbidden by her controlling father, King Triton, she falls for a human prince. Determined to be with her new love, Ariel makes a dangerous deal with the sea witch Ursula to become human for three days. But when plans go awry for the star-crossed lovers, the king must make the ultimate sacrifice for his daughter.Written by
Carlotta is wearing the same dress as the title character in Cinderella (1950) did when she wore her work clothes. See more »
When the Chef goes to poke Sebastian with the two-prong fork, the prongs trap Sebastian in between them and stick into the table. The holes that were supposed to be made by the fork were already there. See more »
Isn't this great? The salty sea air, the wind blowing in your face. Aaah, the perfect day to be at sea!
[leaning over rail]
Oh, yes urp delightful.
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When the film was released on VHS in Norway, these three scenes were cut short: first, part of the shark chase; second, when Eric sees the dynamite, followed by the explosion; and third, when Ursula tries to shoot Ariel off the rock and then tries to kill her. The DVD has these scenes intact, however. See more »
Wait a minute - there are actually people who HATE this?
I was definitely no kid when I saw "The Little Mermaid"; in fact, I was 20. I was thoroughly captivated by this movie - one of the last real delights from Disney's regular animation crews (before they had to get help from Pixar and Tim Burton) - and the Mouse couldn't have wished for a better movie to get them back on the proper road, animation-wise. (Of course, after this, "Aladdin" and "Beauty and the Beast" they've slipped a bit - though they're still better than DreamWorks.)
Though not exactly loyal to the original story - Hans Christian Andersen was much more keen on unhappy endings - it's doubtful it would have worked as well if it had. The movie has just about everything going for it... lush animation, spirited musical numbers (this started Alan Menken's run of success for Disney, and he's surely had enough time to refresh himself by now, and for us all to forget "Pocahontas"), wonderfully evil villain, likeable supporting players, and my all-time favourite Disney heroine, the endearing and lovely Ariel (remember the episode of "Cheers" when Norm said he fancied her? She got a lot of real life guys' hearts - beat that, Princess Fiona from "Shrek").
And as a plus, the subsequent TV series (set before the movie) even managed to capture some of the spirit of the movie. But go for the original... a classic.
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