It tells a tragic story in the early 20th century of China, a beautiful girl Yin Di got married to a sick wealthy man through an arranged marriage, despite the fact that she actually loves ... See full summary »
A Hong Kong cop and two American cops are onto a suspected harbor worker and are forced to team up when they discover that the suspect is a witness on the run from CIA agents and their schemers; two corrupt cops.
Robinson is commissioned to investigate the unspecified "problem of England." The narrator describes his seven excursions, with the unseen Robinson, around the country. They mainly ... See full summary »
Comparisons have been drawn between writer-director Fred Tan and Alfred Hitchcock, but the portentous spiritualism and telltale streak of supernatural horror in this modern ghost story is more reminiscent of the early films of Peter Weir (something of a Hitchcock plagiarist himself at the time). Tan's second feature follows an avant-garde dancer possessed by the unquiet, vengeful spirit of a young woman recently killed by her gigolo boyfriend; but the split referred to in the title is more between the lingering influence of ancient superstitions and the high-tech culture of late 20th century Asia. The film itself is likewise somewhat schizophrenic: a sleek and handsome production weighed down by a fatally simplistic script (at least in translation). The more exaggerated the story becomes, the easier it is to accept as tongue-in-cheek escapism, in particular during the climactic exorcism and journey beyond the grave.
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