Perched on the hull of a wrecked Soviet freighter, a team of deep-sea miners led by head oceanographer Steven Beck comes face to face with a mutant creature that's the product of a failed ge... Read allPerched on the hull of a wrecked Soviet freighter, a team of deep-sea miners led by head oceanographer Steven Beck comes face to face with a mutant creature that's the product of a failed genetic experiment.Perched on the hull of a wrecked Soviet freighter, a team of deep-sea miners led by head oceanographer Steven Beck comes face to face with a mutant creature that's the product of a failed genetic experiment.
- Awards
- 1 win & 1 nomination total
Eugene Lipinski
- Russian Ship Captain
- (as Eugene Lipinsky)
Tom Woodruff Jr.
- Lead Creature
- (uncredited)
Featured reviews
How can you go wrong with a Robocop, a Ghostbuster, a burglar from Home Alone, Pretty Woman and Axel Foley's personal assistants, and Richard Crenna????
Does it rip off Aliens? YES. Does it rip off The Thing? YES...but who really gives a rip?!?! It's just fun. Give me Stan Winston's practical effects any day too!
I remember going to the theatres when it came out, but I think I enjoyed it even more watching it 35 years later in retrospect. The stars and dialogue from the 80's was delightfully nostalgic. Grab the popcorn and go to town.
The kids might not get it, but if you were a product of the times, give it a rewatch!
Does it rip off Aliens? YES. Does it rip off The Thing? YES...but who really gives a rip?!?! It's just fun. Give me Stan Winston's practical effects any day too!
I remember going to the theatres when it came out, but I think I enjoyed it even more watching it 35 years later in retrospect. The stars and dialogue from the 80's was delightfully nostalgic. Grab the popcorn and go to town.
The kids might not get it, but if you were a product of the times, give it a rewatch!
Leviathan is one of those films that has "rip-off" written all over it.
Alot of it you've seen before in better films. The most obvious comparisons being Alien ( several isolated crew members, the dubious doctor, the suits etc.) and of course The Thing (a gooey monster spawned from human beings, it getting to the blood supply). I've viewed this one a few times and although it is an inferior movie it does have some pretty neat special effects, a recognizable cast and a decent music score by Jerry Goldsmith.
Not a total wet squib - it certainly has its moments. I'd give it 7/10.
Alot of it you've seen before in better films. The most obvious comparisons being Alien ( several isolated crew members, the dubious doctor, the suits etc.) and of course The Thing (a gooey monster spawned from human beings, it getting to the blood supply). I've viewed this one a few times and although it is an inferior movie it does have some pretty neat special effects, a recognizable cast and a decent music score by Jerry Goldsmith.
Not a total wet squib - it certainly has its moments. I'd give it 7/10.
In the Atlantic Ocean, 16,000 feet deep, the Tri Oceanic Mining Corporation keeps a eight-men crew with the mission of extracting silver and other precious metals. The geologist and leader Steven Beck (Peter Weller) works with Dr. Glen 'Doc' Thompson (Richard Crenna) managing the miners astronaut wannabe Elizabeth 'Willie' Williams (Amanda Pays), the prankster Buzz 'Sixpack' Parrish (Daniel Stern), Justin Jones (Ernie Hudson), Tony 'DeJesus' Rodero (Michael Carmine), Bridget Bowman (Lisa Eilbacher) and G. P. Cobb (Hector Elizondo). He is also the liaison with the Tri Oceanic executive Ms. Martin (Meg Foster).
In their next to last day, Willie and Sixpack are assigned to work outside the base and Sixpack falls in a hole. Willie seeks him out and finds a Russian vessel named Leviathan. Sixpack finds a safe inside the vessel and brings it to their base. They find money, vodka, a videotape and documents and Beck keeps the content of the safe. However Sixpack steals a bottle of vodka and drinks with Bowman. Meanwhile Beck and Doc watch the videotape and the Russian Captain explains a problem that killed his crew. On the next morning, Sixpack does not feel well and stays in the sickbay. Soon Doc learns that his patient has a genetic mutation. When Bowman shows the same symptoms, Beck asks Ms. Martin to rescue them. But there is a hurricane on the surface and the rescuing mission is not possible.
"Leviathan" is an Alien rip-off underwater, but it is nostalgic to see this movie in the present days to admire the excellent cast in the late 80's. The lovely Amanda Pays shines with her beauty and is always good to see the eyes of Meg Foster. Peter "Robocop" Weller, Richard Creena and Hector Elizondo, all of them in good shape, is another attraction. Another good point is the special effect with the monsters, usual in the 80's and 90's and different from the exaggeration of the CGI in the present days. My vote is seven.
Title (Brazil): "Leviathan"
Note: On 11 July 2023, I saw this film again.
In their next to last day, Willie and Sixpack are assigned to work outside the base and Sixpack falls in a hole. Willie seeks him out and finds a Russian vessel named Leviathan. Sixpack finds a safe inside the vessel and brings it to their base. They find money, vodka, a videotape and documents and Beck keeps the content of the safe. However Sixpack steals a bottle of vodka and drinks with Bowman. Meanwhile Beck and Doc watch the videotape and the Russian Captain explains a problem that killed his crew. On the next morning, Sixpack does not feel well and stays in the sickbay. Soon Doc learns that his patient has a genetic mutation. When Bowman shows the same symptoms, Beck asks Ms. Martin to rescue them. But there is a hurricane on the surface and the rescuing mission is not possible.
"Leviathan" is an Alien rip-off underwater, but it is nostalgic to see this movie in the present days to admire the excellent cast in the late 80's. The lovely Amanda Pays shines with her beauty and is always good to see the eyes of Meg Foster. Peter "Robocop" Weller, Richard Creena and Hector Elizondo, all of them in good shape, is another attraction. Another good point is the special effect with the monsters, usual in the 80's and 90's and different from the exaggeration of the CGI in the present days. My vote is seven.
Title (Brazil): "Leviathan"
Note: On 11 July 2023, I saw this film again.
However, that is not to say that it isn't entertaining, because it is. The film is about a group of undersea miners who discover a Soviet wreck. The wreck contains a potion that of course, one of the crew members has to drink. The potion turns out to be a formula that turns people into reptile like monsters that will eventually spread their symptoms to everybody else on board.
We have seen this all before. The Thing, the Alien series, The Deep, etc all have one idea or another that were thrown into this film. You have got the creature that takes over people's bodies(Alien, The Thing), the blood supply being depleted by the creature(The Thing), the remainder of the crew trying to escape the ship in a limited amount of time before it self destructs(Alien), and the scene where all of the guys are sitting around eating, talking about sex and other things(Alien).
This movie could have been a lot better if they had thrown something original into it. Why not use more comic relief? That may have spiced up the film a bit. However, the film is not that bad and if you cannot find anymore decent sci-fi horror films to view, this one may just be up your alley.
We have seen this all before. The Thing, the Alien series, The Deep, etc all have one idea or another that were thrown into this film. You have got the creature that takes over people's bodies(Alien, The Thing), the blood supply being depleted by the creature(The Thing), the remainder of the crew trying to escape the ship in a limited amount of time before it self destructs(Alien), and the scene where all of the guys are sitting around eating, talking about sex and other things(Alien).
This movie could have been a lot better if they had thrown something original into it. Why not use more comic relief? That may have spiced up the film a bit. However, the film is not that bad and if you cannot find anymore decent sci-fi horror films to view, this one may just be up your alley.
Ah, yes, underwater sci-fi (and horror). From 'The abyss,' to 'SeaQuest,' to 2020's 'Underwater,' and everything in between, the niche genre has been a darling of enterprising filmmakers and studio executives. Reliably solid production design and art direction, robust effects and enticing designs for any associated creatures or entities, large casts, swell scores from well-known composers - 1989's 'Leviathan' fits the bill neatly. It really does look and sound great, and one notes what seems to me to be a fairly large budget to capitalize on what was at the time quite a trend in film. I'm not saying it's the most wholly engaging and essential of pictures, but this is a pretty good time all the same.
To repeat myself a bit, the contributions of all those behind the scenes are terrific. Costume design, hair and makeup work, effects practical and digital, props and weapons, set design and decoration, lighting, and all other such elements are superb; the facilities of the mining operation are a feast for the eyes. Direction, cinematography, editing, and the fundamentals of film-making are tight, with fine production values. There are recognizable names and faces among the ensemble, and I think everyone on hand gives swell performances.
More substantively, I think the screenplay is pretty capable in general. Characters and dialogue sometimes leave a bit to be desired, but the narrative is pretty strong, even if it's familiar in broad strokes. The scene writing is the best part of David Peoples and Jeb Stuart's contribution, with light humor in the suitable exposition that quickly gives way to growing mystery and mounting horror. And that's really the key: one could assess every little aspect day in and day out, but at the end of the day the real question is how effectively the sci-fi horror is realized - and in my opinion it's splendidly strong in 'Leviathan.' Yes, one can immediately discern clear inspiration from very famous previous titles, in multiple instances to the point of pure mimicry. That's a sure mark against this, but taken in and of itself the marine monster movie is stimulating and satisfying. The picture is filled with tinges of body horror, flashes of action-horror, and an abundance of creature feature fun. All the blood and gore, prosthetics, and fabricated creature effects are outstanding; for the strength of these alone I'd say 'Leviathan' is worth watching.
What it all comes down to for me is that by and large I think this is perfectly entertaining, with fantastic exploration of what sci-fi horror could be in the underwater setting. While it's imperfect in the first place, the biggest limiting factor is simply how how the picture undeniably borrows. If you've seen John Carpenter's 'The thing,' and if you've seen Ridley Scott's 'Alien,' then there's no small amount of George P. Cosmatos' 'Leviathan' that's going to feel recycled. It looks, sounds, and feels good, but the comparisons are so significant that they distinctly distract and detract from the viewing experience. I suppose on that note that the good news is, if you're approaching this with virginal eyes, it's going to be better still. For whatever issues it may bear, though, this is still a flick that's a sturdy recommendation for fans of the cast, and for the genre overall. So long as you don't mind abject parroting, 'Leviathan' is satisfyingly enjoyable, and not a bad way to spend 100 minutes.
To repeat myself a bit, the contributions of all those behind the scenes are terrific. Costume design, hair and makeup work, effects practical and digital, props and weapons, set design and decoration, lighting, and all other such elements are superb; the facilities of the mining operation are a feast for the eyes. Direction, cinematography, editing, and the fundamentals of film-making are tight, with fine production values. There are recognizable names and faces among the ensemble, and I think everyone on hand gives swell performances.
More substantively, I think the screenplay is pretty capable in general. Characters and dialogue sometimes leave a bit to be desired, but the narrative is pretty strong, even if it's familiar in broad strokes. The scene writing is the best part of David Peoples and Jeb Stuart's contribution, with light humor in the suitable exposition that quickly gives way to growing mystery and mounting horror. And that's really the key: one could assess every little aspect day in and day out, but at the end of the day the real question is how effectively the sci-fi horror is realized - and in my opinion it's splendidly strong in 'Leviathan.' Yes, one can immediately discern clear inspiration from very famous previous titles, in multiple instances to the point of pure mimicry. That's a sure mark against this, but taken in and of itself the marine monster movie is stimulating and satisfying. The picture is filled with tinges of body horror, flashes of action-horror, and an abundance of creature feature fun. All the blood and gore, prosthetics, and fabricated creature effects are outstanding; for the strength of these alone I'd say 'Leviathan' is worth watching.
What it all comes down to for me is that by and large I think this is perfectly entertaining, with fantastic exploration of what sci-fi horror could be in the underwater setting. While it's imperfect in the first place, the biggest limiting factor is simply how how the picture undeniably borrows. If you've seen John Carpenter's 'The thing,' and if you've seen Ridley Scott's 'Alien,' then there's no small amount of George P. Cosmatos' 'Leviathan' that's going to feel recycled. It looks, sounds, and feels good, but the comparisons are so significant that they distinctly distract and detract from the viewing experience. I suppose on that note that the good news is, if you're approaching this with virginal eyes, it's going to be better still. For whatever issues it may bear, though, this is still a flick that's a sturdy recommendation for fans of the cast, and for the genre overall. So long as you don't mind abject parroting, 'Leviathan' is satisfyingly enjoyable, and not a bad way to spend 100 minutes.
Did you know
- TriviaThe experience was an adventure and a joy for Stan Winston and his monster-making team. Not only did they get to live in Rome for four months during filming, and even learn scuba diving, a recreational activity many of them continue to pursue to this day, but they also got to work with a director who was unusually generous with inviting their input. In addition to producing the creature effects, Cosmatos trusted Winston to direct the second unit action sequences. "George Cosmatos always let us take the lead in how to shoot the creature," noted Landon. "He was such a big-hearted person, he would throw up his hands, and say 'I don't know what I'm doing.' He'd just admit it and let us do what we knew how to do. We know what our characters can do and we know the best way to use them. We're thinking about what our characters are going to have to do on the set the entire time we're building them. So we are goldmines of information and knowledge. Some directors recognize that, and really rely on us."
- GoofsIn the scene where the piece of the monster is cut off by the door, the wire that pulls the cut off piece down can be seen.
- Quotes
Martin: I realize you must have gone through hell.
Justin Jones: Gone? Bitch, we're still here!
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Leviathan, terror en la profundidad
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $15,704,614
- Opening weekend US & Canada
- $5,029,164
- Mar 19, 1989
- Gross worldwide
- $15,704,614
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