A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who had already invaded the ship.
In a Russian coastal town, Kolya is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man's arrival brings further misfortune for Kolya and his family.
A military commander stationed off planet during an interplanetary war travels through the devastated landscape to negotiate a peace treaty, but discovers that the primitive robots they built to kill enemy combatants have gained sentience.
An experimental submarine, the "Siren II", is sent to find out what happened to the "Siren I", which has mysteriously disappeared in a submarine rift. Things go awry when they begin to find... See full summary »
Underwater deep-sea miners encounter a Soviet wreck and bring back a dangerous cargo to their base on the ocean floor with horrifying results. The crew of the mining base must fight to survive against a genetic mutation that hunts them down one by one.Written by
Keith Loh <email@example.com>
"Leviathan was kind of The Thing underwater," said Mahan, who worked as lead creature effects artist and SWS on-set technician. "The deep-sea mining crew members begin to mutate and kill one another, and each body is absorbed into a conglomeration creature that has three or four different bodies combined with all of these sea creature elements." See more »
After Cobb gets a cup of coffee, he sets the pot down next to the coffee maker. Immediately after, we see Beck get himself some coffee, yet he picks the pot up off the burner of the coffee maker. See more »
The first half of "Leviathan" is competently made and surprisingly absorbing, with strongly drawn characters and good acting all around. In the second half, the film degenerates into an "Alien" rip-off (and later on, it even steals a classic scene from "Jaws"), with derivative special effects and too many familiar elements. But it is saved (and gets 6/10) by Cosmatos' professionalism; he certainly redeems himself here for making the absolutely terrible "Cobra" three years earlier.
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