Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Still haunted by his past, Tommy Jarvis - who, as a child, killed Jason Voorhees - wonders if the serial killer is connected to a series of brutal murders occurring in and around the secluded halfway house where he now lives.
A whole high senior class is finally graduating. For that, they get into a luxury cruise called ''Lazarus''. At the beginning they are all having fun, including our main heroine ''Rennie'' who has a serious problem with the water because of past traumatic events '' Almost got drowned when she was little''. When we get to see all the young teenagers our friend Jason who got on board the ship starts with his killing rampage until we get to see only the main characters of the movie.. After that, they decide to look for the killer and kill him... Unfortunately, Jason got them first... After only a few of them escaped and got off the ship reached N.Y where they now have a bigger problem. Jason managed to get there too! He's cashing the survivors so he can kill them. Now the young teenager couple must escape or die in the dark waters of New York.Written by
Kane Hodder says that one of the most fun parts of his tenure as Jason was the scenes in Times Square. He says that spectators were lined up and down the block watching the filming, and he didn't want to take off the mask to destroy their illusion of Jason. He said that every once in awhile, he'd turn his head and look at them, and watch them all go crazy. See more »
As established in the previous films, Jason is just an instinctive killer who murders anyone he happens to encounter, when they're at the wrong place and wrong time. There is should be no reason for him to have ignored the countless pedestrians and extras in New York just to keep chasing the survivors. See more »
It's like this... We live in claustrophobia; the land of steel and concrete, trapped by dark waters. There is no escape, nor do we want it. We've come to thrive on it and each other. You can't get the adrenaline pumpin' without the terror, good people... I love this town.
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A "Deluxe Edition" DVD was released with over 10 minutes of "Slashed Scenes" that feature extensions on deaths and dialog such as more gore on Jim's Death, and the never before seen original death where the Boxer gets darts shoved in his eyes. See more »
What's up with all these high schools in the movies having these insane senior trips? The kids in Final Destination flew to Europe, and these kids go on a freaking cruise? I went to Magic Mountain for my senior trip! Oh, well, I guess the payback is that in the movies they all get killed. Magic Mountain sounds a lot better in that sense. By this point in the lengthy Friday the 13th saga, it's clear that even the writers of these movies (generally the last people to catch on when they come up with idiotic ideas) have noticed that a lot of teenagers going up to Camp Crystal Lake to be rebellious and get slashed all up is getting a little bit old, so in this installment they decided it would be a good idea to have the movie take place on a whole ship full of high school students.
Moving someone like Jason Voorhees from his home on Camp Crystal Lake to an unfamiliar setting is actually a really good idea for generating more interest in the series, because although it's a given in a series like this, I think audiences always like to see familiar characters come back from other stories. So while you already know Jason is going to be in the movie because it's a Friday the 13th, you at least see him in an unfamiliar atmosphere, which removes a lot of the automatic cynicism that is now being generated toward the teenagers who are still stupid enough to go out to the lake. Now we see Jason killing all kinds of kids unsuspectingly on their school trip and then more people on the streets of New York. Amazing the things we find entertaining these days, isn't it?
There are a lot of fairly innovative deaths aboard the ship in the first half of the film, such as a guy relaxing in the sauna getting one of the hot rocks shoved through his stomach, a guy getting impaled on the communication antenna on the boat, and throat slit by a machete, an amazingly botched scene. You would think that since it was so obvious the knife didn't even touch that poor guy, they would at least not have done it in such a close-up.
Ironically enough, the part that I was anticipating to be the most interesting was the least creatively done. After realizing what is going on on the boat (meaning, after just about all of them had been killed), the surviving students on board get the life raft and escape, rowing out into the dark ocean in hopes of hitting land. Eventually, they see the New York City skyline and jump for joy. I was anticipating a creative and fun romp through the streets of New York, maybe with Jason confused at his surroundings and therefore going even more nuts, which would create havoc among the population. I mean, LOOK at the guy. He spent the time between the last movie and this one rotting on the bottom of the lake, and he certainly looks like it through this entire movie.
Unfortunately, the filmmakers not only revealed the modesty of their budget through the lack of anything really interesting happening, they also displayed a massive lack of understanding of the geography of the city of New York. I've never even been there myself, but it seems like pretty much basic logic that they would not design the city so that the dirtiest slums had the finest waterfront property. Meaning, I doubt you could row up to New York from the ocean, right alongside the Statue of Liberty, and climb up onto land, finding yourself surrounded by endless alleyways full of things like gun-toting rapists and standing barrels of toxic waste. New York is a big city, and all cities throughout the world pretty much have to have things like this somewhere, but generally not right on the water and right next to major monuments. I happen to know, for example, that if you go to San Francisco, you won't find the crime-ridden slums right under the Golden Gate Bridge, and I doubt that you would find open barrels of toxic waste ANYWHERE.
But anyway, they certainly find some room for effective comic relief (although notably less than other films in the series), my favorite example of which is the scene where Jason looks curiously at a picture of a hockey player on a billboard wearing exactly the same mask that he has on, a sort of self-realization that has since been overshadowed by the T-1000 pausing to look at a metallic mannequin in Terminator 2. I love that stuff, it gives even the most two-dimensional bad guys a sort of self-consciousness, so that they're not just mindless killing machines but have some semblance of actual thought in their heads, seeing and analyzing their surroundings and pausing when they see something that they don't understand. Makes the inhuman killers more human, you know?
Speaking of which, there was also a scene that was really funny for much the same reason, and feel free to make fun of me for seeing it this way. There's a scene pretty near the end of the film where Jason is pursuing the few remaining kids through the streets of Manhattan, and he passes by some street punks hanging out and smoking on the sidewalk and listening to some ridiculous 80s music ('Livin' inna city ain't no big deal, livin' inna city ain't no big deal. If the drugs don't getcha then the hooka's will .' And so forth ), and as Jason walks by, he kicks their boom-box across the sidewalk. Being tough gutterpunks, of course, they stand up and pull out their switchblades, informing Jason that he just dug his own grave. Jason's response is to turn and face them and lift up his mask so they can see his face. I liked that scene, because like the one above, it shows a self-consciousness. Jason KNOWS that he looks terrifying. He always has, and rotting on the bottom of the lake made it even worse. It also shows that he can deal with people in a way other than cutting them all up and still have it be pretty satisfying to the audience.
The climax of the film is bogged down pretty badly by some heavily botched logic and another massive lack of understanding of the underbelly operations of a major city. First of all, none of the passersby up on the streets take a second look at this gigantic, wet, rotting man walking down the street with a hockey mask. I know New Yorkers can be cold and indifferent, but even THEY would not take something like THAT as normal. But even worse, as the kids escape into the underground sewage system (which does not run through wide walkways beneath the sidewalks in ANY city that doesn't want to smell like it's own waste), they run into a sewage worker who informs them that the sewers (in which they are currently standing) fill with toxic waste every night at midnight ('Exactly ten minutes from now!'), and is then killed by Jason before being able to show them how to get out.
I won't get into the fact that there is no imaginable reason for any underground pipe system to fill with toxic waste every night at a certain time other than to create false suspense for a movie like this, although that is most of the reason that this climax falls so completely flat. We do get something for the kids to run away from and a time-limit for them to get out of the sewer, and we do get a glimpse of Jason's hideous face as he melts into the waste, but it is a completely contrived setting that has no basis in reality, which is the one thing that always makes horror films (or films of almost any genre, for that matter) more effective. Friday the 13th VIII, obviously, is not very concerned with that, which makes it one of the less interesting installments in the saga, although at least it takes place in a different setting so we have a reason to slap our foreheads other than because there is yet ANOTHER group of morons going up to Camp Crystal Lake to taunt the legend of Jason Voorhees.
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