Johnny Red always wanted to be a scientist and work for NASA when he grew up. After several academic mishaps, Johnny is stuck in his suburban Pennsylvania town. When all other means of ... See full summary »
Narrated by award-winning actor Gary Sinise, WHEN WE LEFT EARTH is the incredible story of humankind's greatest adventure, as it happened, told by the people who were there. From the early ... See full summary »
When Apollo astronaut Gene Cernan stepped off the moon in December 1972 he left his footprints and his daughter's initials in the lunar dust. Only now is he ready to share his epic but deeply personal story of fulfillment, love, and loss.
This movie documents the Apollo missions perhaps the most definitively of any movie under two hours. Al Reinert watched all the footage shot during the missions--over 6,000,000 feet of it, and picked out the best. Instead of being a newsy, fact-filled documentary, Reinart focuses on the human aspects of the space flights. The only voices heard in the film are the voices of the astronauts and mission control. Reinart uses the astronaunts' own words from interviews and mission footage. The score by Brian Eno underscores the strangeness, wonder, and beauty of the astronauts' experiences which they were privileged to have for a first time "for all mankind."Written by
Scott B. Fisher <email@example.com>
In the opening scene, President John F. Kennedy stands at the podium, giving his famous speech about the government's plan for lunar travel at Rice University. In the scene, President Kennedy's voice-over says, "We set sail on this new sea because there is new knowledge to be gained and new rights to be won and they must be won and used for the progress of all mankind." President Kennedy in actuality, said, "...used for the progress of all people." Director Al Reinert, using creative license, decided to splice President Kennedy's words, dubbing "mankind" over "people," using a part of the President's speech earlier on in his address. See more »
(at around 36 mins) During the Apollo 13 coverage, Houston is heard telling the astronauts to "try SCE to auxiliary." This is actually from the launch of Apollo 12 after it was struck by lightning. See more »
[Command Module Pilot Mattingly stands on the launch tower, waiting to enter Apollo 16]
T. Kenneth Mattingly II:
I just stood around and waited until they strapped in. And here was a kind of a strange quiet. You look out and you can see the large part of the state and ocean and this - this thing out here. You have the feeling that it's alive.
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This film is indebted to the staff of the Johnson Space Center. See more »
I saw this film at a very, very young age and I suspect that it is the reason I developed a heavy interest in space exploration. I recently saw this again for the first time in many years since all I had was a vague recollection of it. And after watching many times since then I have no problem saying that this is one of the best documentaries ever made.
One must give the film's director, Al Reinert, at a ton of credit for his work. Who else could have come up with the brilliant notion behind this film? Who would have thought of taking footage from all of the Apollo missions (and a couple of the Gemini missions) and combining them with the words of the men who went where no one had (or has since) gone before? (Apologies for paraphrasing Star Trek) The genius of this film is that it shuns away from traditional documentary styling. Instead of compiling facts on one mission and having a well known actor/actress do the narration, the film lets those who went tell the story. Who else is better qualified? They might not be professional actors, but the astronauts don't need to be. It is the power of the events they describe that is the main reason for their presence. They are a powerful voice in this story.
In many reviews I have read, I have seen complaints about the mixing of footage or the use of footage out of its context (a Gemini reentry used for the TLI burn for example). Yes the mixing is nowhere near subtle and is, thus, blatantly obvious. But it is my feeling that this mixing was necessary. The only way to get across the story of Apollo's achievement to the average person was to mix the footage. Does it really matter in the end? I mean by that this: the film isn't about a single mission to the Moon. No, the power of Apollo lies not in each mission, but in the overall effect of the Apollo program. This film is about the journey of Apollo, the effect in had on the astronauts, and the effect it had on us all.
If there is one element of this film that really stayed with men it was the music. It is among the most beautiful and haunting things you will ever here. Brian Eno does a marvelous job of conveying the mystery and majesty of both space and the Moon. This is one of those scores who really have to hear to believe.
For All Mankind, perhaps better then anything else out there, demonstrates the power of humanity in space. For one to really appreciate this film it needs to be seen on a large screen in surround sound. Only then can one appreciate both the film and the power of the Apollo legacy. This is the first film I've seen that I recommend to everyone. This is a film that is truly "For All Mankind".
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