Seth Brundle was a renowned scientist whose warped experiments with teleportation transformed him into a man/fly hybrid called BrundleFly. A few months after the BrundleFly insect met its demise by his lover's, Veronica, shotgun, she dies while giving birth to their son, Martin. Seth's corrupt employer, Bartok, adopts Martin, only so Martin can solve the new problems that the still-functioning TelePods present and to use him as a science project because of the dormant insect genes. Martin is now fully grown, even though he is five, and the fly genes begin to awaken and make him just like dear, dead dad. With the help of his girlfriend, Beth, they go to wherever they can find a possible cure before Bartok finds them and brings them back, but not before Martin finishes his transformation into MartinFly, the deadliest of the BrundleFly species.Written by
In the end credits for The Fly (1986), CWI effects artist Guy Hudson used the pseudonym "Sir Guy of Hudson". For The Fly II (1989)'s credits, a "II" was added to the same pseudonym. See more »
Alternate Ending: On the 2-Disc version of the Fly II, there is a alternate ending on Disc 1, under the special features section. The scene takes place in the daytime on Beth Logan's houseboat. It shows her bringing some food to Martin, who's sitting down on the dock. She asks, "How do you feel?" He replies, "Much better." As he is saying this, the camera zooms in on his eyes. One eye is an almost blackish color, while the other one is green. See more »
Lock, Stock and Teardrops
Written by Roger Miller
Performed by k.d. lang (as k. d. lang)
Courtesy of SIRE RECORDS
By Arrangement with WARNER SPECIAL PRODUCTS See more »
Fly II: Cruise Control
I caught this movie on cable last night; this is one of those films where the memory of having seen it years ago is better than the actual film.
The production design is actually quite good, surprising when, upon closer inspection, they apparently only built one set (the lab), and the rest of the scenes-- all brief ones-- were shot at cheap locations, such as Beth's houseboat, Martin's condo, and such. The acting is decent, considering the lack of any character at all (especially braindead Beth). Eric Stoltz and Daphne Zuniga actually put some effort forth here, which is nice, considering this was probably little more than a paycheck for both.
The problem is the script. First-time director Chris Walas does well with what he was handed-- probably in pieces, from four different screenwriters-- but I got the feeling that a coherent, dramatic story arc was chopped down to a lightning-paced 111 minutes. It seems like entire scenes are missing-- or else they were never written. The bare bones I watched were perhaps merely excuses to link together special effects and make-up from Walas's FX company.
In that sense, it's kinda like a porno film. No one cares about the plot, the just wanna see the "money shot." And this one has a few-- they spent all their money on a) mutant dog ($100), b) Unlucky Security Guard #2 ($1000), c) fly cocoon ($50), and d) Alterna-Stoltz (priceless). This explains why, with the exception of Unlucky Security Guard #2, the deaths are not nearly graphic enough, and thus unsatisfying... considering how great a length the "story"-tellers go to make us hate everyone in the film who ISN'T Martin or Beth (or Borans).
The film is shot well, considering how few locations are used, though several directing mistakes jumped out, not necessarily worthy of the "goofs" section. For example, note how when Beth enters the lab, never having been there before.... at the end of scene, she somehow knows the exact command to type into the computer to open the doors on the OTHER SIDE of the room. How does she expect to find her way back to her desk? (which is apparently down the hall, less than 100 feet away... just like everything else in this building, which, by the way, we never see from the outside)
More proof there's another hour of this movie that's either on a cutting room floor somewhere, or just never got filmed. Pity the entire movie couldn't fulfill the promise of the single, memorable final shot, as the credits appear.
5/10, cuz it's half a film.
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