When police discover that a mob hitman has moved in next door to the Robbersons, they want to find out what he is up to. So they set up a stakeout in the Robbersons' home. Hard-nosed, ... See full summary »
Ailing Los Angeles newspaper reporter Irvin "Fletch" Fletcher, in debt, inherits from a aunt "Bell Isle", a sprawling 80-acre Louisiana plantation estate, quits his job and moves east expecting to live like a Dixie king. But he failed to inspect the run-down inheritance, leaving him only a shabby mansion with a shifty caretaker instead of reliable staff. Having celebrated anyway with an attractive lawyer in bed, he wakes up finding her mysteriously murdered and himself jailed, soon to be bailed, as prime suspect. Undaunted by a neighborly lawyer's warning to leave town, he waves foxy real estate agent Becky Culpepper's persistent offer well above the apparent value from a third party and starts snooping why with Becky. That proves a dangerous activity for him and almost anybody around, everything pointing to local magnate Hamilton "Ham" Johnson and his 'Confederate' circle of friends; including TV preacher Jimmy Lee Farnsworth and a dodgy chemical plant.Written by
The attendant at Hamilton Johnson's party, to whom Fletch gives the keys to his car, is wearing the colors of a Zouave soldier. Zouaves were French colonel Algerian troops, known for their exotic uniforms, which included baggy red trousers, and flashy drill routines. See more »
When Fletch visits Calculus, Calculus is wearing a pair of brown boots, but after Fletch sits on the water bed and after the comment about the Reverend, Calculus gets up to change the TV channel. He's not wearing his boots anymore. See more »
Uh, sir, this is a secure area.
Well, I'm very happy for you, son. Most people live in terrible neighborhoods.
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Peggy-Lee Zorba, Nostradamus, The Colonel, Victor Hugo, Billy-Jean King, Claude-Henry Smoot, Peter Lemonjello, Ed Harley, Elmer-Fudd Gantry and Bobby-Lee Schwartz II. Not to mention Fletch himself. Has Chevy Chase ever played so many people in one film? I love Fletch Lives, it is so damn funny and cackles with hilarious dialogue. It's a bloody shame that the critics were beastly, when it first came out. Chevy Chase, once again, nails the role of Fletch and only he can deliver the deadpan sarcasm in a way no other actor can.
Fletch quits his job as an investigative reporter after he inherits a plantation mansion in Louisiana. But he stumbles upon another mystery and does his best to unravel it. Compared to the first the plot may be a little weak but it works fine. The focus seems to have shifted to Fletch's disguises and working set-pieces and gags around them rather than working on layers of mystery. And why the producers commissioned a brand new screenplay instead working from one of Gregory MacDonald's novels is beyond me.
His disguises will, however, make you grin from ear to ear (Claude Henry Smoot steals the show) and they way he comes out with the most ridiculous of things when he's talking to people makes you wonder why they ever believe it. As Peter Lemonjello, Fletch tells a studio camera operator that his house is on fire. The guy believes him! I do wish that they had used more of the Bibleland sets as it seems so much for so little screen time but the presence of R. Lee Ermey as the eccentric TV Evangelist makes up for it.
And to any of you who are puzzled why Mr. Underhill is credited in the cast of characters but not actually in the film, he IS. Look closely at the Zipedee Doo-Dah sequence and you can see him as one of the dancers.
Had the producers treated Fletch like James Bond we might have a new Fletch mystery every two years since 1985 if they followed the order of MacDonald's books (not chronologically, of course, as they're all over the place). It could have turned into Chase's signature roll.
There's been talk of a sequel for years and with various names attached as Chase seems to have been ejected from the role. Though he is the ONLY Fletch in my opinion. At the very least, if a sequel IS made, they cannot dispose of Harold Faltermeyer's brilliant score, which I found to be nothing short of awesome when I was a kid, and little has changed since then.
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