Iowa farmer Ray Kinsella hears a voice in his corn field tell him, "If you build it, he will come." He interprets this message as an instruction to build a baseball field on his farm, upon which appear the ghosts of Shoeless Joe Jackson and the other seven Chicago White Sox players banned from the game for throwing the 1919 World Series. When the voices continue, Ray seeks out a reclusive author to help him understand the meaning of the messages and the purpose for his field.Written by
Scott Renshaw <email@example.com>
The field was constructed over the July 4 weekend, under the direction of the Los Angeles Dodgers' groundskeeper. See more »
While at Fenway Park, Ray sees the vision on the scoreboard which reads 10:30 and later 10:32. Ray immediately begins to write down what he sees on his scorecard. However, the closeup of the scorecard shows that it is the bottom of the 4th inning, so it should be closer to 830 at night. Furthermore, the scoreboard underneath "MOONLIGHT GRAHAM" has faint lettering that thanks the fans for attending and tells them to have a safe drive home. What most likely happened is that fans were asked to stay in Fenway Park after a regular game concluded for the purposes of filming that scene before a full crowd. The closeup of the scorecard was added later in editing but the filmmakers either forgot (or didn't care) that the time on the clock was inconsistent with the actual progress of the game. See more »
My father's name was John Kinsella. It's an Irish name. He was born in North Dakota in 1896, and never saw a big city until he came back from France in 1918. He settled in Chicago, where he quickly learned to live and die with the White Sox. Died a little when they lost the 1919 World Series. Died a lot the following summer when eight members of the team were accused of throwing that series. He played in the minors for a year too, but nothing ever came of it. Moved to ...
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"...and the memories will be so thick they will have to brush them away from their faces."
It's American. It's corny (pun intended, I'm sorry). When I stop and think about it, it's laughable but the immutable truth is that this is naively beautiful on almost every frontier. I have watched this film so many times and though inside I know the ladled sentiment should be cringeworthy-especially for a cynic such as I...it somehow never fails to utterly absorb me.
Horner's musical score is haunting and mesmerising and adds so strongly to the whole ethereal feeling that this film exudes.
The acting is extraordinary in that they pull off corny lines without provoking me to laughter or cringing, with the possible exception of James Earl Jones speech "...the one constant is baseball...".
I even have to admit that Kostner is good (painful though it is).
You may not like or understand baseball...it doesn't matter. This is not a film about baseball. Its about relationships (particularly about father son relationships) and it tugs on every heart string.
There was a review of this film which first intrigued me enough to watch it several years ago. I cannot remember who said it but if memory serves me well his summation of Field of Dreams was this...
"Could you ever really love someone who didn't cry at this film, even just a little?"
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