An undercover FBI agent falls in love with a recently widowed mafia wife, who is trying to restart her life following her husband's murder while being pursued by a libidinous mafia kingpin seeking to claim her for himself.
The Fabulous Baker Boys, a Seattle-based duo piano lounge act performing cheesy jazz renditions of pop standards, is comprised of thirty-something brothers Frank and Jack Baker. Older Frank, married with two children, is the controlling business manager, front man and sole programmer of the playlist. Younger Jack is the carefree one without commitments to anything or anyone, including women, he who has had a long string of one night stands, most specifically with cocktail waitresses. Jack's strongest commitments are to his aging dog, Eddie, and to Nina, the lonely adolescent who lives in the apartment above his with her single, constantly dating mother. Jack's commitment to Nina is because of her unwavering commitment to him. The Baker Boys' act is becoming stale and outdated, and as such their ability to hold onto what gigs they are able to get is getting more difficult. So Frank comes up with the idea of hiring a singer to beef up the act. After thirty-seven failed auditions, they ...Written by
Michelle Pfeiffer hadn't sung in a year when she got the part of Susie Diamond. She had to practice for ten hours a day in the studio, and then took the tapes home with her to study them. See more »
In the discussion in the car immediately after the Polynesian restaurant gig, Jack is wearing his tuxedo. They were wearing Hawaiian shirts on the gig however. See more »
What do you want from me? You want me to tell you to stay, hmm? Is that what you're looking for? You want me to get down on my knees and beg you to save the Baker Boys from doom? Forget it, sweetheart. We survived for 15 years before you strutted onto the scene. Fifteen years. Two seconds, you're bawling like a baby. You shouldn't be wearing a dress; you should be wearing a diaper.
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After playing small club gigs for over 15 years, the "Baker Boys" finally come to grips with some realities.
"Susie" comes into their act and lives. She's a former "escort" and blues singer, whom they hire to rejuvenate their somewhat tired act.
This she does, in more ways than one.
"The Fabulous Baker Boys" is an accurate and frank depiction of musicians' lives-on-the-road. It reveals what happens after the audience goes home and the musicians retire to their nice hotel rooms.
But after years, one nice hotel room is the same as another. Likewise, their music routines can become as stale as leftover tobacco smoke in their vacated clubs.
Jeff and Beau Bridges execute some the finest work of their careers in this film. Likewise, Michelle Pfeiffer equally supports them, as well as does her own singing.
Dave Grusin and John Hammond's soundtrack piano renditions are excellent, as is Peggy Holmes' choreography for Ms. Pfeiffer. Sydney Pollack was wise to financially support this production as executive producer.
Writer director Steven Kloves came up with a winner here, marred only by some general slow pacing and an ambiguous though appropriate ending.
"The Fabulous Baker Boys'" reputation continues to grow and be appreciated by more audiences, through cable and DVD distributions. It signifies a rare glimpse at backstage life-on-the-road of musicians who so enrich our lives, yet are all too often taken for granted.
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