Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences.Written by
John Vogel <firstname.lastname@example.org>
In the scenes involving the black four door Cadillac sedan, Bruce Beresford used both a 1955 and a 1956 Cadillac. The cars' exteriors are identical, except for the rear exhaust fender flare on the '56. The rear fender on the '55 is flat. See more »
When Hoke is calling Daisy's son to inform him that he has driven her to the store for the first time, the cord on the pay phone is of the modern vandal-resistant metallic design. Such cords did not appear until the 1960s. See more »
[Hoke and Idella are walking to Daisy's house and notice Boolie's car in the driveway]
Now what do you suppose he's doin' here this early in the mornin'?
Dunno... can't be good, I promise you that!
See more »
Morgan Freeman and Jessica Tandy (in Oscar Winning performance) invoke grace and dignity in this sensitive treatment of race relations and old age. Freeman stars as a gentle, wise black chauffeur in the service of a spunky Jewish widow, played by Tandy. As the years pass, their relationship evolves into a remarkable friendship despite their different backgrounds.
The film is skillfully adapted from the award-winning play, unfolding against the backdrop of civil rights changes in the South. Somewhat simplistic to be considered a strong statement about race relations, the Best Picture/Best Screenpaly Oscar Winner makes a heartwarming effort to give witness to dignified aging.
Freeman was never better, and the chemistry between the two leads is simply beautiful to watch. This is a very special cinema experience.
48 of 58 people found this review helpful.
Was this review helpful to you?
| Report this