Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences.Written by
John Vogel <firstname.lastname@example.org>
In the scenes involving the black four door Cadillac sedan, Bruce Beresford used both a 1955 and a 1956 Cadillac. The cars' exteriors are identical, except for the rear exhaust fender flare on the '56. The rear fender on the '55 is flat. See more »
Hoke drives past the same house with the same truck in front of it twice in in fifteen seconds when going home from the temple. See more »
[to Hoke on his first day of work]
I wouldn't be in your shoes if the Sweet Lord Jesus come down and asked me himself.
See more »
Why spend millions of dollars on special effects and scenes, when the actors still are most important? This movie proves all that. This movie gives a strong feeling of being back in a time I`ve never experienced myself. It is somewhere in my consciousness. This is a cozy comedy for the whole family. This film is much about how our daily life meets new inputs, and how we deal with it. Time doesn`t change, it is our daily lifes inputs. This serious comedy is as deep as it is easy, because it is more about ourselves than we sometimes think. Enjoy the art, the music, the lovely seasons.. 10 out of 10.
25 of 40 people found this review helpful.
Was this review helpful to you?
| Report this