147 user 59 critic

Driving Miss Daisy (1989)

PG | | Drama | 26 January 1990 (USA)
An old Jewish woman and her African-American chauffeur in the American South have a relationship that grows and improves over the years.


Bruce Beresford


Alfred Uhry (screenplay), Alfred Uhry (play)
4,429 ( 325)

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Won 4 Oscars. Another 17 wins & 24 nominations. See more awards »



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Cast overview, first billed only:
Morgan Freeman ... Hoke Colburn
Jessica Tandy ... Daisy Werthan
Dan Aykroyd ... Boolie Werthan
Patti LuPone ... Florine Werthan (as Patti Lupone)
Esther Rolle ... Idella
Jo Ann Havrilla ... Miss McClatchey (as Joann Havrilla)
William Hall Jr. William Hall Jr. ... Oscar
Alvin M. Sugarman Alvin M. Sugarman ... Dr. Weil
Clarice F. Geigerman Clarice F. Geigerman ... Nonie
Muriel Moore Muriel Moore ... Miriam
Sylvia Kaler Sylvia Kaler ... Beulah
Carolyn Gold Carolyn Gold ... Neighbor Lady
Crystal R. Fox ... Katie Bell
Bob Hannah ... Red Mitchell
Ray McKinnon ... Trooper #1


An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis


The funny, touching and totally irresistible story of a working relationship that became a 25-year friendship. See more »




PG | See all certifications »

Parents Guide:

View content advisory »





English | Hebrew

Release Date:

26 January 1990 (USA) See more »

Also Known As:

Miss Daisy und ihr Chauffeur See more »


Box Office


$7,500,000 (estimated)

Opening Weekend USA:

$73,745, 17 December 1989, Limited Release

Gross USA:


Cumulative Worldwide Gross:

$145,793,296, 31 December 2004
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby | Dolby Digital (DVD version)


Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »

Did You Know?


Second of only two Academy Award Best Picture winners to have been adapted for the screen from plays having won the Pulitzer Prize. The first was You Can't Take It with You (1938). See more »


When Hoke is driving Miss Daisy home after the temple bombing, he passes a parked blue and white pickup and nearby black sedan, visible through his window, twice. See more »


Boolie Werthan: You're a doodle, Mama.
See more »


Referenced in The Love Guru (2008) See more »


Written by James Pierpont (uncredited)
Arranged and Performed by Charlotte Georg (as Les Peel)
Courtesy of Capitol Production Music/Ole Georg
See more »

Frequently Asked Questions

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User Reviews

Missing Miss Daisy
15 June 2006 | by slokesSee all my reviews

It's hard to imagine someone seeing "Driving Miss Daisy" without being moved somehow, yet few films suffer more in terms of reputation from winning a Best Picture Oscar. In disparaging "Daisy," many myths have sprung up that cloud the film's legacy and need addressing.

1. "Driving Miss Daisy" won because 1989 was a weak year for movies - 1989 was a great year for movies. Among the films out that year which weren't even nominated for Best Picture were "Glory," "Henry V," "Do The Right Thing," "Parenthood," "Batman," "Crimes And Misdemeanors," "The Adventures Of Baron Munchausen," "sex, lies, and videotape," "Steel Magnolias," and "When Harry Met Sally." Unlike most years, any of the five Best Picture nominees could have won without anyone being too upset.

2. "Driving Miss Daisy" is a syrupy feel-good exercise devoid of grit - While made in an artfully soft-focus and gentle style in keeping with the spirit we associate with the American South of recent bygone days, director Bruce Beresford and writer Alfred Uhry present us with a complicated and tricky story that challenges us right away. How many films get made showing old Jewish women complaining a poor black man stole a 33 cent can of salmon from her pantry? "Daisy" allows its central character to say some astounding things about blacks ("They all take things, you know," "They're like children,") and yet trusting us to have the tolerance to watch her grow.

3. "Driving Miss Daisy" was popular because it features a passive black man - Morgan Freeman as Hoke gives a haunting, multi-layered performance of someone who is anything but passive. Because he is a black man in the Jim Crow South, he must make do working as a driver for Miss Daisy despite her resentment of him (which stems from her anger over her infirmity, not his skin color, to address another myth.) Hoke is a model of stoic patience, of finding silver linings and angles, and breaking down barriers through common sense. "You needs a chauffeur and Lord knows I needs a job," is how he puts it to Miss Daisy. "Now why don't we leave it at that?" Of course, his patience with Miss Daisy over time yields more than a mere truce, not to mention a healthy raise and some fine used automobiles. And he retains his dignity in every scene.

4. "Driving Miss Daisy" is mainly about race - Race is a theme, but the central theme is the passage of time. The film presents us with small vignettes, connected to seasons of the year, charting the growing relationship between Hoke and Daisy. As the characters age, we see every wrinkle on their skin and sense without anything being pointed out too strongly just how fragile and fleeting this thing called life really is. By film's end, long after race has been addressed, we are giving witness to the elusive pleasures of life in the face of Miss Daisy's mortality, a tough message for any movie to go out on, especially one as ultimately life-affirming as this.

5. Jessica Tandy won her Oscar out of sympathy because of her age - She won it because she was good. Very good. Check out her scene when she tells Hoke about visiting the Gulf of Mexico and tasting the saltwater on her fingers, then snapping at herself for being so silly. Then you get winning zingers, delivered with impeccable vinegar, like this about her assimilated daughter-in-law: "If I had a nose like Florine, I wouldn't say Merry Christmas to anybody." Ouch! I actually am less won over by that famous line of hers, "You're my best friend," because she makes the point so well with Hoke throughout the latter half of the film in many better ways.

6. It's boring - "Daisy" runs only a little over 90 minutes, and makes the most of every one of them. Nothing runs too long. When a member of the household dies, you get a falling bowl and then a singing choir. When Daisy teaches Hoke to read, it's represented by a small sequence in a graveyard and then let go. It would seem abrupt on the pages of the script, yet Mark Warner's crafty editing and Hans Zimmer's deft score make it all seem so natural.

7. Films like "Driving Miss Daisy" get made all the time - The only film that mixes comedy and pathos as effectively as this that I'm aware of is "Being There." But while that classic Peter Sellers film is something of a fantasy, "Daisy" is so grounded in reality it makes its ultimately uplifting character that much more satisfying.

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