Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences.Written by
John Vogel <email@example.com>
Alfred Uhry based the story of Daisy and Hoke on his own grandmother Lena Fox and her chauffeur Will Coleman. See more »
Just before Miss Daisy's first ride with Hoke, she walks down her street past a house that has multiple skylights, a type and style which didn't exist until 30 years later. See more »
[Hoke and Boolie are entering the car dealership to trade in the Hudson]
She fought me on this one, but it's time for a trade. I'll bet you'll miss the old one.
No, sir, I don't expect I'll miss it that much.
Come on! You're the only one who's been driving it all this time. Won't you be a little sorry to see it go?
It ain't going nowhere. I done bought it.
I sure did! Already made the deal with Mr. Red Mitchell.
Oh, come on now, Mr. Werthan. That's for him and me to know.
[...] See more »
Film title logo appears at the end of closing credits See more »
After The Ball
Words and Music by Charles Harris (as Charles K. Harris)
Sung a cappella by Jessica Tandy (uncredited)
Published by Charles K. Harris Publishing Company, Inc. See more »
The Growth of Affection
After watching this film for the second time I realized just how important the affection that occurs between Hoke and Daisy really is. What grows between these two is something most people only wish to have in their lives. What is so special about it, though?
From the beginning of their relationship, the two are forced to be together. Daisy is forced to have a driver and Hoke is hired on for that position. For both, the relationship is one out of need. Hoke needs a paying job and Daisy needs a driver in her old age (although, she would never admit it to anyone especially herself).
As time goes by, though, Daisy's need of Hoke becomes clearer to herself. She begins to depend on him. This is definitely made clear at the end when Hoke is feeding Daisy her pumpkin pie, and she enjoys each bite fully.
Another aspect of the movie which got to me was the great array of choices the director made with the filming. Hoke is a character of very few words but teaches Daisy so much. Morgan Freeman's acting in this character is amazing. The knowledge he shows within his eyes is one reason I almost felt closer to him than Daisy did throughout the first half of the movie. In a way, he teaches her a new way of life. He does so by showing himself truly and honestly.
Another choice the director made was in the symbolic way the film was made. The beauty of the many seasons is shown through the changes of the landscape. The trees transform from winter to spring and the streets go from sheets of ice to warm asphalt. And the cars get larger and more high tech. Time is so important in Daisy's and Hoke's affection/friendship that this is a great way to show that.
There are so many aspects of this film which I could go on and on about. It is a wonderful film of which any person can get a fulfilling movie watching experience out of. They can also learn a lot from it, too! Watch it.
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