In this luminous tale set in the area around Sarajevo and in Italy, Perhan, an engaging young Romany (gypsy) with telekinetic powers, is seduced by the quick-cash world of petty crime, which threatens to destroy him and those he loves.
Matko is a small time hustler, living by the river Danube with his 17 year old son Zare. After a failed business deal he owes money to the much more successful gangster Dadan. Dadan has a ... See full summary »
Tito's break-up with Stalin in 1948 marked the beginning of not only confusing, but also very dangerous years for many hard-core Yugoslav communists. A careless remark about the newspaper ... See full summary »
Moreno D'E Bartolli,
Predrag 'Miki' Manojlovic,
What could be better for the village than a scenic railway to bring in the tourists? What could be worse for tourism than war? Luka builds the railway and shuts his eyes to war. Then Luka's wife runs off with a musician and his son is called up to the army. Luka's life is a war zone. Then he meets Sabaha..
A young man grows up in Sarajevo in the 1960s, under the shadow of his good, but ailing father, and gets attracted by the world of small-time criminals. They hire him to hide a young ... See full summary »
In this luminous tale set in the former Yugoslavia, Perhan, an engaging young Romany with telekinetic powers, is seduced by the quick-cash world of petty crime that threatens to destroy him and those he loves.Written by
Dawn M. Barclift
This is one of my most favourite movies. I don't know if I can say it was the best movie I ever saw. It's amazing to see how talented these amateur actors are and how beautiful the mis en scene is. I always thought about Time of the Gypsies as a kind of answer to the Latin American Magic Realism. Kusturica seems to know which subject requires which specific aesthetic style.
The Gypsies in Yugoslavia live in their traditional world as they live in the bizarre modernity of European reality. The clash of these two worlds is what so many so called European auteur directors thematized since the 1960's. Kusturica seems to be very conscious of these art cinema tradition, but he knows also which people he portraits. The East European Gypsies are in a very essential way still nomads, constantly shifting between different realities:the world of dreams, their own traditions, their myths, rituals and beliefs and the hybrid spaces of European criminality. Kusturica portrays these Gypsy worlds with a story that is both modern but also almost like a fairy tale. It is this very mixture that makes this movie brilliant and a must see.
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