The Killer (1989)

A disillusioned assassin accepts one last hit in hopes of using his earnings to restore vision to a singer he accidentally blinded, only to be double-crossed by his boss.

Director:

John Woo

Writer:

John Woo

Stars:

Yun-Fat Chow, Danny Lee, Sally Yeh

2 wins & 6 nominations.

Cast

Complete credited cast:
Yun-Fat Chow	...	Ah Jong (as Chow Yun Fat)
Danny Lee	...	Insp. Li Ying / Little Eagle
Sally Yeh	...	Jennie
Kong Chu	...	Fung Sei (as Chu Kong)
Kenneth Tsang	...	Sgt. Tsang Yeh (as Tsang Kong)
Fui-On Shing	...	Wong Hoi (as Shing Fui On)
Wing-Cho Yip	...	Wong Dung-Yu
Fan Wei Yee	...	Paul Yau
Barry Wong	...	Chief Insp. Dou / Tu
Parkman Wong	...	Insp. Chan Bok
Alan Ng	...	A Killer (as Siu-Hung Ng)
Yamson Domingo	...	Bodyguard A
Siu Hung Ngan	...	Bodyguard B
Kwong Leung Wong	...	Wong Hung

Storyline

Jeffrey is an assassin who wishes to leave the business so he can take care of Jennie, the beautiful lounge singer who he inadvertently blinded during a previous assignment. Li Ying is the determined cop who will stop at nothing to bring him in, only he realizes that Jeffrey is no ordinary assassin, and wishes to help him in his quest. Only problem is that Jeffrey's employers refuse to pay him for his last job, money which is needed to restore Jennie's eyesight.

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Plot Keywords:

honor | gunfight | hong kong | hitman | one last job | 

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Taglines:

One Vicious Hitman. One Fierce Cop. Ten Thousand Bullets.

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Genres:

Action | Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for pervasive strong violence and some language

Details

Country:

Hong Kong

Language:

Cantonese Mandarin Japanese

Release Date:

September 1990 (USA)

Also Known As:

The Killer

Filming Locations:

The Peak, Hong Kong

Company Credits

Production Co:

Film Workshop, Golden Princess Film Production Limited, Long Shong Pictures

Technical Specs

Runtime:

111 min 104 min (USA) (2002) (R-rated) 124 min (extended)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

When John Woo proposed the story to Hark Tsui, it was denied; Hark's reaction was that "[n]obody wants to see a film about a killer".

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Goofs

The same bearded villain dies twice. Once in the shootout at Ah Jong apartment and later in the shootout at the church.

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Quotes

Joe (Cantonese)/Jeffrey (English): We're the same.
Lee: No, we're not the same! I uphold the law and you break it!

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Alternate Versions

The Taiwan version has a scene where it shows Jenny sitting in her dressing room while hearing the gunshots around 5 minutes into the movie.

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Connections

References Hero and the Terror (1988)

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Soundtracks

Title Song
Music by Lowell Lo
Lyrics by James Wong
Sung by Sally Yeh

User Reviews

John Woo is the master

Before seeing a genuine Hong-Kong produced John Woo movie, I thought I knew what action was, and what the action-movie genre was capable of. I was wrong. The Killer was the single most impressive, awe-inspiring, jaw-dropping action movie I had seen in years, and is now one of my favourite movies of any genre. It is #2 on my all-time list.

Why? First of all, the well-known poetic violence of the super-charged action scenes make for a tremendously exciting film. These combine choreographed bloodshed (there is an almost constant stream of bullets) with raw emotion that puts even the best Hollywood actioners to shame. Look at Hollywood action movies today; almost all Hollywood action is inspired (not to mention plagiarised) from the "heroic bloodshed films," the best of which is The Killer.

Quentin Tarantino and Robert Rodriguez are only the most obvious examples of American directors to put Woo's trademark stylized violence to use, and neither handle it as well as Woo.

But beyond this, the characters and the story are what drive this movie and what truly set it apart. The story of the relentless cop and the vicious killer is only the latest in a long line of detective stories, starting with Arthur Conan Doyle and Edgar Allan Poe in the 19th century, and continuing in every cop show on TV today. The hero and the villain are practically the same; they are only divided by an almost arbitrary line called the law. In The Killer, both "Mickey Mouse" and "Dumbo" are unrelenting, capable, though misunderstood, professionals. Their motivations differ, but they both have the killer instinct. The classic storyline of the interaction of the two characters who eventually realize their similarities and end up working together has been seen before, but never has it been used to such effect as in The Killer.

Woo's familiar themes of brotherhood, betrayal and loyalty also reach their cinematic peak in this movie. The viewer not only wants to see the next pyrotechnic action scene, but is actually concerned with the lives of the characters, an element that is almost always lacking in typical Hollywood fare.

Finally, the gun-battle scenes, when they come, are simply the most spectacular, mind-blowingly violent, yet strangely beautiful, action scenes ever imagined or filmed. And last but not least, is the unbelievably powerful screen presence of Chow Yun-Fat, as always cool incarnate. His effortless lead and the tension created by his playing off of co-star Danny Lee make The Killer as close as I have yet seen to the perfect action movie. I recommend it to any hard-core action fan and also suggest Hard-Boiled, though Woo's American efforts thus far have not been up to his Hong Kong works.

Rating: 10