The Killer (1989)

A disillusioned assassin accepts one last hit in hopes of using his earnings to restore vision to a singer he accidentally blinded, only to be double-crossed by his boss.

Director:

John Woo

Writer:

John Woo

Stars:

Yun-Fat Chow, Danny Lee, Sally Yeh

2 wins & 6 nominations.

Cast

Complete credited cast:
Yun-Fat Chow	...	Ah Jong (as Chow Yun Fat)
Danny Lee	...	Insp. Li Ying / Little Eagle
Sally Yeh	...	Jennie
Kong Chu	...	Fung Sei (as Chu Kong)
Kenneth Tsang	...	Sgt. Tsang Yeh (as Tsang Kong)
Fui-On Shing	...	Wong Hoi (as Shing Fui On)
Wing-Cho Yip	...	Wong Dung-Yu
Fan Wei Yee	...	Paul Yau
Barry Wong	...	Chief Insp. Dou / Tu
Parkman Wong	...	Insp. Chan Bok
Alan Ng	...	A Killer (as Siu-Hung Ng)
Yamson Domingo	...	Bodyguard A
Siu Hung Ngan	...	Bodyguard B
Kwong Leung Wong	...	Wong Hung

Storyline

Jeffrey is an assassin who wishes to leave the business so he can take care of Jennie, the beautiful lounge singer who he inadvertently blinded during a previous assignment. Li Ying is the determined cop who will stop at nothing to bring him in, only he realizes that Jeffrey is no ordinary assassin, and wishes to help him in his quest. Only problem is that Jeffrey's employers refuse to pay him for his last job, money which is needed to restore Jennie's eyesight.

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Plot Keywords:

honor | gunfight | hong kong | hitman | one last job | 

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Taglines:

The Biggest Body Count in History.

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Genres:

Action | Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for pervasive strong violence and some language

Details

Country:

Hong Kong

Language:

Cantonese Mandarin Japanese

Release Date:

September 1990 (USA)

Also Known As:

The Killer

Filming Locations:

The Peak, Hong Kong

Company Credits

Production Co:

Film Workshop, Golden Princess Film Production Limited, Long Shong Pictures

Technical Specs

Runtime:

111 min 104 min (USA) (2002) (R-rated) 124 min (extended)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

John Woo went into filming with only a short treatment for the film and wrote the details of the script while filming.

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Goofs

When people get shot, sparks can be seen coming from the bullet wounds. Since the impact of a bullet upon flesh or clothing does not produce sparks, this is evidently the result of a small explosive charge to create the effect.

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Quotes

Joe (Cantonese)/Jeffrey (English): I think you and I could be friends.
Lee: If I put my gun down, right? That's your condition?
Joe (Cantonese)/Jeffrey (English): Can you do it? (No response) At least we can be temporary friends. We have a common enemy.

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Alternate Versions

The subtitled dialogue in which Jenny is being mugged and Jeffrey intervenes, "Hey, let's rob her", is omitted in the Laserdisc version but present in the U.S. VHS version.

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Connections

Referenced in Desperado (1995)

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Soundtracks

Once In A Lifetime
Performed by Sally Yeh

User Reviews

Woo's Best; An Amalgamation of Drama and Action

John Woo's "The Killer" shows a master at the height of his powers. Woo, today working in the United States, gained fame in Hong Kong through the two "Better Tomorrow" films. He became popular and used his success to go to greater things. In fact, much of Woo's HK work is similar, including the work he did in the early 90's like "Bullet in the Head" and "Hard Boiled". But "The Killer" shows John Woo as a perfectionist, the top director of action films who can perfectly blend in over-the-top violence with emotional drama.

"The Killer" follows John (Jeff in other versions of the film), who's played to utter perfection by Chow Yun Fat. John is a hit-man planning retirement. On one job, however, he accidentally shoots a singer (Jenny) near her eyes. She survives, but her vision is blurry. John saves her from a gang of rapist thieves, and the two ultimately fall in love with each other, despite Jenny never having seen John's face. On John's case, however, is Inspector Li, hard at work, who is intent on always getting his man. Much of the movie involves John and the results of his final job which ultimately pits him up against the entire mob, who want him dead for overexposing his identity. And the rest of the film follows John catering to Jenny's needs and helping her at every moment, all the while evading Li, who's getting closer and closer to stopping him.

To make the movie the memorable film that it is, Woo perfectly orchestrates some of the best shoot-outs ever seen on film. Much of what Woo did here, he was never able to follow up. "Hard Boiled" was interesting, but its final shoot-out, over 20 minutes in length, just couldn't keep up. It got boring by the end. What Woo does in "The Killer" is give you a sample of his powers and then leave you begging for more. And that what you'll be literally doing: begging for just a glimpse of the next dude victim to Fat's two beautiful handguns.

It's only sad to see that, not so much Woo doesn't do these films anymore, but that Woo rarely does good films now.(Period) He's too busy, working on ego with top stars and killer budgets. His two films that came as far as making an impact with me from his U.S. catalog will probably include "Broken Arrow" and "Face/Off", both primarily due to just how much I like Travolta (though the former was also an early film of mine that I really remember liking, since it was different from all the Disney and kid stuff I was used to). But Woo, intent on fulfilling his dreams of making a musical and captivating audiences with his powerful style, can just show the people a screening of this film. It's quoted as being "Violence as poetry", and that's exactly what it is. With the beautiful music adding feeling and depth to the characters and the great writing and direction, this is easily Woo's tour-de-force.

9.5/10 (****/****)