The Killer (1989)

A disillusioned assassin accepts one last hit in hopes of using his earnings to restore vision to a singer he accidentally blinded, only to be double-crossed by his boss.

Director:

John Woo

Writer:

John Woo

Stars:

Yun-Fat Chow, Danny Lee, Sally Yeh

2 wins & 6 nominations.

Cast

Complete credited cast:
Yun-Fat Chow	...	Ah Jong (as Chow Yun Fat)
Danny Lee	...	Insp. Li Ying / Little Eagle
Sally Yeh	...	Jennie
Kong Chu	...	Fung Sei (as Chu Kong)
Kenneth Tsang	...	Sgt. Tsang Yeh (as Tsang Kong)
Fui-On Shing	...	Wong Hoi (as Shing Fui On)
Wing-Cho Yip	...	Wong Dung-Yu
Fan Wei Yee	...	Paul Yau
Barry Wong	...	Chief Insp. Dou / Tu
Parkman Wong	...	Insp. Chan Bok
Alan Ng	...	A Killer (as Siu-Hung Ng)
Yamson Domingo	...	Bodyguard A
Siu Hung Ngan	...	Bodyguard B
Kwong Leung Wong	...	Wong Hung

Storyline

Jeffrey is an assassin who wishes to leave the business so he can take care of Jennie, the beautiful lounge singer who he inadvertently blinded during a previous assignment. Li Ying is the determined cop who will stop at nothing to bring him in, only he realizes that Jeffrey is no ordinary assassin, and wishes to help him in his quest. Only problem is that Jeffrey's employers refuse to pay him for his last job, money which is needed to restore Jennie's eyesight.

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Plot Keywords:

honor | gunfight | hong kong | hitman | one last job | 

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Taglines:

This film will blow you away.

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Genres:

Action | Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for pervasive strong violence and some language

Details

Country:

Hong Kong

Language:

Cantonese Mandarin Japanese

Release Date:

September 1990 (USA)

Also Known As:

The Killer

Filming Locations:

The Peak, Hong Kong

Company Credits

Production Co:

Film Workshop, Golden Princess Film Production Limited, Long Shong Pictures

Technical Specs

Runtime:

111 min 104 min (USA) (2002) (R-rated) 124 min (extended)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

According to the clock at Jeff's apartment, the time when Sydney double-crosses Jeff is 3.25 AM.

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Goofs

During the attack at home, bullets from the machine gun riddle the bed, but the gun is pointing in the wrong direction.

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Quotes

Joe (Cantonese)/Jeffrey (English): You're an unusual cop.
Lee: Well, you're an unusual killer.

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Alternate Versions

Out of print Criterion Collection DVD features the following five deleted scenes:

• The first is a scene where inspector Li is waiting outside the club where Jenny is singing (right after we saw him inside). Jenny is accosted by three drunken business men, and Li comes to her rescue. Obviously, this mirrors the earlier scene where Jeff came to her rescue. It also includes a nice little reveal where we see that Jeff has seen the whole thing. The scene continues with Li taking Jenny back to her apartment, and Li seeing Jeff watching from outside.
• The second scene occurs right after the shootout at Jeff's apartment. Inspector Li arrives on the scene just as Jeff is leaving.
• The third scene is Jeff and Jenny driving from the airport and arriving at Sidney's safe house.
• The fourth deleted scene is Jeff and Jenny having breakfast at the house. Then Sidney arrives.
• The last deleted scene occurs right after the impromptu surgery by the creek. The Hitman With No Eyes arrives on the scene and finds the bandages.

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Connections

Referenced in Appleseed Ex Machina (2007)

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Soundtracks

Once In A Lifetime
Performed by Sally Yeh

User Reviews

Among Revenge and Forgiveness, Among Bullets and Faithfulness

Chow Yun Fat and John Woo teams up together with strong commitment to this highly melodramatic action film. The Killer was so ahead of its time especially with its signature shootout scenes and fast paced action sequences in its time of production in Hong-Kong. Without any special, visual or sound effects; it's a high achievement on both sound and vision. It's high on thematic values, but low on production values.

Woo benefited a lot from a team of action-coordinators as part of the production crew he assigned with. 20 years from its screen release, today still there are not many action films in which the sequences are coordinated as good as in The Killer. The rest of the production was standing by its plot, which becomes unbearable due to extremely melodramatic events. Woo tries to hurt our feelings as much as he can by killing and injuring innocents so ruthlessly: Passengers on a train, children on a beach, singers at a night club etc.

Lowell Lo's heart-wrenching theme and background music was one of the finest of the thematic values. Story development is also very effective that everything seems going fine at the beginning of Jong(the hit-man)'s last mission, then for he wasn't paid for his successful assassination he decides to show up back from underground with his alias: "Jeffrey". When he did, a stage singer ends up losing her sight and becomes blind from shot blasting. Jong helps her get well; she falls in love with him. He introduces himself as Jeffrey to her. No matter what romance they share together, no matter how close they are to each other; there is absolutely no accordance no chemistry between Sally Yeh and Chow Yun-Fat. Sally Yeh acts so poorly, especially while she keeps screaming needlessly every other scene.

For whoever likes this film, I strongly advise Léon to them. The same idea also works in Luc Besson's film, too: In a hit-man's life; there is no certain way to go, there is nobody to trust, there is no repentance. In Luc Besson's film of 1994, Jean Reno and Natalie Portman builds up a better harmony using emotions but not melodrama.

Additionally in John Woo's film, even though Chow Yun-Fat is not fast enough he just stands by the bullets by running, or guards himself with armchairs and seats of the cathedral which are vulnerable to bullets with the gaps between backrests. So many bullets are used... Were they shot by children or blind hitmans? How could you explain not getting shot while 4 hitmans are aiming at you running inside the cathedral and running on the beach? On the other hand, every single bullet that's used in Léon, hurts one person or another; or leaves marks, tracks and holes on walls, and in the texture of the floor. It's not an acquirement to waste 10 thousand bullets in a movie; but it's really an achievement when you configure a sub-production plan just to preview and review the bullets in both pre-production and production.