'Zen' Buddhist teacher Dogen Zenji is a very important religious person during the Kamakura period, 750 years ago. After his mother died, he decides to move to China and settle as a ... See full summary »
The two men embark on parallel, if separate, journeys. Their yearning is a common one--for a better and different life. Dondup, delayed by the timeless pace of his village, is forced to ... See full summary »
A spiritual love-story set in the majestic landscape of Ladakh, Himalayas. Samsara is a quest; one man's struggle to find spiritual Enlightenment by renouncing the world. And one woman's ... See full summary »
Samadhi Part 1 is the first installment in a series of films exploring Samadhi, an ancient Sanskrit word which points toward the mystical or transcendent union that is at the root of all spirituality and self inquiry.
Near a remote Buddhist monastery, a young man falls in love with his sister and gets her pregnant. After a monk finds out, the young man becomes an assistant to a master sculptor, only to proceed to complicate matters with his affairs.
Three people live in a remote Buddhist monastery near Mount Chonan: Hyegok, the old master; Yong Nan, a young man who has left his extended family in the city to seek enlightenment - Hyegok calls him Kibong!; and, an orphan lad Haejin, whom Hyegok has brought to the monastery to raise as a monk. The story is mostly Yong Nan's, told in flashbacks: how he came to the monastery, his brief return to the city, his vacillation between the turbulence of the world and his hope to overcome passions and escape the idea of self. We also see Hyegok as a teacher, a protector, and a father figure, and we watch Haejin make his way as a curious and nearly self-sufficient child.Written by
In South Korea, in the heart of mountains covered with lush forests, three human beings meet: an old master of Zen Buddhism, a young monk still unsure of himself and an orphan. Around them, domineering nature and its elements: water, fire, earth, wind and light. This simple framework is enough for Bae Yong-kyun to make life feel like an inner and collective adventure. However, these three characters could also represent the three ages and phases of the life of a single human being, in his search for the essence of the self, perfect harmony and inner freedom. "Why do we need a lifetime to solve the problem of life in the world?" To answer this question, Korean Bae Yong-kyun immerses himself in his own culture, creating a universally valid parable. Radically marginal, he worked and reworked his work for eight years, assuming himself scenario, dialogues, production, sets, light, shooting, sound and editing. True Hercules and Prometheus of the film, he opposes the international cinema which, by his thirst for action, makes blind and jaded, touches of hauntingly serene phrases and images with a magical rhythm. They sharpen the mind, allow for breathtaking discoveries, raise the ear to an almost unknown philosophy and culture. See more »
Haejin! Haejin! There is no beginning and no end. Nothing is immutable, everything changes. That thing which does not come into being does not die.
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I had the good fortune to see this movie as part of a campus movie series (UNLV) several years ago. The integration of the Ox-herding pictures from Ch'an/Zen lore into the fabric of the story was exquisite. Truly a beautiful film for Buddhist and non-Buddhist alike. I would love to own a copy of this film.
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