In a violent and corrupt prison, decorated cop Louis Burke must infiltrate the jail to find answers to a number of inside murders. What he finds is a struggle of life and death tied in to his own past.
Jean-Claude Van Damme,
Private Luc Deveraux and his sadistic sergeant, Andrew Scott, got killed in Vietnam. The army uses their bodies for a secret project - reanimating dead soldiers as deadly obedient cyborgs. However, their memories come back too.
Jean-Claude Van Damme,
One of the US Air Force's most modern tactical aircraft, an F-111 Aardvark with a new laser guidance system, crashes into the sea near Malta - a region where the Soviet forces are highly ... See full summary »
Jean-Claude Van Damme,
Gibson Rickenbacker is a hired fighter living in a plague-ravaged apocalyptic America where a plague has infested most of the United States and the rest of the world. In New York City, Gibson encounters a woman named Pearl Prophet. Pearl reveals to Gibson that she is a cyborg who is carrying vital-information for a group of scientists in Atlanta who are working on a cure to the plague and Pearl hires Gibson to escort her back to Atlanta. But Pearl is kidnapped by "Pirates" a murderous gang led by Fender Tremolo, who wants the cure for themselves and they decide to take Pearl to Atlanta themselves. Gibson, joined by a young woman named Nady Simmons, goes in pursuit of Fender and his gang, as Gibson sets out to rescue Pearl, stop Fender and his gang from reaching Atlanta and defeat Fender who slaughtered Gibson's family.Written by
When the film was first released on VHS in Germany, so many violent scenes were cut out that it ran only around 58 minutes, not even reaching feature length. See more »
In the final knife fight scene in the rain, Gibson sticks the knife in Fender's upheld blocking forearm with a downward overhand stab. In the next scene, when the knife is still in Fender's forearm, his hand is holding the knife in a sideways grip with the palm down, opposite of the grip during the stab. The knife only goes in about an inch or so, but it's shown buried to the hilt. See more »
First there was the collapse of civilization: anarchy, genocide, starvation. Then when it seemed things couldn't get any worse, we got the plague. The Living Death, quickly closing its fist over the entire planet. Then we heard the rumors: that the last scientists were working on a cure that would end the plague and restore the world. Restore it? Why? I like the death! I like the misery! I like this world!
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In Albert Pyun's director's cut "Slinger", it was revealed Nady Simmons was a friend of Willy Jack and she was going to meet up with him in New York, when he was killed by Fender. See more »
Produced in the dying years of Cannon films, directed by Albert Pyun, starring an early Van Damme claiming to be "the first hero of the 21st century", claiming to be a "post apocalyptic battle" and with the title "Cyborg", somehow I don't think it will bring many to a state of disbelief when I announce that it's a very poor film. Cheap and tacky in every area, unless you're a huge fan of Van Damme it really should be avoided.
For Albert Pyun in the 80's and early 90's, a "post apocalyptic" movie was just an excuse to avoid any expense for sets and have a bunch of goons in ragged clothes running around large areas of open land or empty buildings. The "post apocalyptic" world Cyborg takes place in was filmed in North Carolina and looks like uh North Carolina.
There is action, but it's all rather dull and extremely forgettable and the overly dramatic musical score which accompanies it is extremely irritating. Plus there's no buildup to them, just randomly thrown together which throws away any excitement they may have had. On the plus side, the fights aren't half as bad as those I've seen in later Albert Pyun movies but Van Damme has done a lot better.
As far as acting goes, you'll get zero. Not that you'd expect award winning performances in a movie like this, but still, Van Damme has absolutely minimal dialogue and could pass off for somebody who doesn't speak any English simply being told to speak his lines phonetically. He is that poor, but at least it's evidence enough that he has tried in later movies. I do find many of his movies entertaining, this isn't one of them. The villains are the complete opposite, and they overact and make embarrassing howling and screaming when fighting Van Damme without being remotely scary in the least. Although it certainly doesn't say much for the state of humanity if the world was to be under threat for a second from these clowns!
The post apocalyptic genre is generally one of the weakest in the field of B-movies with the likes of Steel Frontier being one of the few exceptions and this is just about as poor as it gets. Not good enough to be worth watching or not even bad enough to be funny. At best it's tedious and dull so unless you're a huge fan of Van Damme I recommend you to stay away. On the plus side, it remains the best film by schlock director Albert Pyun I've seen to date but that's probably even more of a reason to avoid it than anything else.
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