Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
Judah Rosenthal is an ophthalmologist and a pillar of the community who has a big problem: his mistress Dolores Paley has told him that he is to leave his wife and marry her - as he had promised to do - or she will tell everyone of their affair. When he intercepts a letter Dolores has written to his wife Miriam, he is frantic. He confesses all to his shady brother Jack who assures him that he has friends who can take care of her. Meanwhile, filmmaker Cliff Stern is having his own problems. He's been working on a documentary film for some time but has yet to complete it. He and his wife Wendy have long ago stopped loving one another and are clearly on their way to divorce. He falls in love with Halley Reed who works with a producer, Lester. Cliff soon finds himself making a documentary about Lester and hates every minute of it.Written by
Woody Allen has said of this film: "Crimes And Misdemeanors is about people who don't see. They don't see themselves as others see them. They don't see the right and wrong situations. And that was a strong metaphor in the movie". See more »
(at 1:31:03) While they are celebrating at the wedding party the theme "Crazy Rhythm" is been played by the jazz orchestra, a muted trumpet can be heard but the trumpet player isn't using one. See more »
We're all very proud of Judah Rosenthal's philanthropic efforts. His endless hours of fund raising for the hospital, the new medical center, and now, the ophthalmology wing, which until this year had just been a dream. But it's due to Rosenthal our friend that we most appreciate. The husband, the father, the golf companion. Naturally if you have a medical problem you can call Judah...
You're blushing, darling.
...day or night, weekends or holidays. But you can also call Judah to ...
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Rare film that ventures into Good and Evil Conscience
Let's begin by declaring that you do not need to be a Woody Allen fan to appreciate this film. As is often the case, Allen's schlemiel character is the least sympathetic and interesting one in the movie.
But that aside, here's a story that I found thoroughly engaging. Is there a perfect crime? Is guilt the same as remorse? How does a "good" person come to terms with his sins?
The blind Rabbi: Is God unseeing? The Holocaust survivor philosopher who challenges survival (that's all I can say without spoiling): is there any real redemption?
The movie has flaws but I give it a "10" for daring to ask serious questions. (And the visit to the old house in Brooklyn has a dynamism that all of us who remember our childhood homes will relate to.)
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