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The Cook, the Thief, His Wife & Her Lover (1989)

NC-17 | | Crime, Drama | 6 April 1990 (USA)
The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.

Director:

Peter Greenaway

Writer:

Peter Greenaway
Reviews
Popularity
3,371 ( 134)

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7 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Richard Bohringer ... Richard
Michael Gambon ... Albert
Helen Mirren ... Georgina
Alan Howard ... Michael
Tim Roth ... Mitchel
Ciarán Hinds ... Cory (as Ciaran Hinds)
Gary Olsen Gary Olsen ... Spangler
Ewan Stewart ... Harris
Roger Ashton-Griffiths ... Turpin (as Roger Ashton Griffiths)
Ron Cook ... Mews
Liz Smith ... Grace
Emer Gillespie ... Patricia
Janet Henfrey Janet Henfrey ... Alice
Arnie Breeveld Arnie Breeveld ... Eden
Tony Alleff Tony Alleff ... Troy
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Storyline

The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband's restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

Lust...Murder...Dessert. Bon Appetit! See more »

Genres:

Crime | Drama

Certificate:

NC-17 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Netherlands | UK | France

Language:

English | French | Dutch

Release Date:

6 April 1990 (USA) See more »

Also Known As:

The Cook, the Thief, His Wife & Her Lover See more »

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Box Office

Gross USA:

$7,724,701
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (R-rated)

Sound Mix:

Dolby Stereo (as Dolby Stereo in selected theatres)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The car that Albert Spica drives is listed in the credits as a Valentine Lindsay AT V12. It is in fact a modified early-'70s Dodge Dart Swinger. Valentine Lindsay is the name of a British car enthusiast and racer who works with the V12 Team of Harrier Racing, and most likely loaned the car to the production. See more »

Goofs

When Albert (Michael Gambon) goes into the ladies' toilet and starts throwing women out of the cubicles, the second one has, as you would expect, her underwear around her knees. But her skirt rides right up, revealing that she is still wearing her underwear, and that the ones below are a prop. See more »

Quotes

Albert: Looks like catfood for constipated French rabbits!
See more »

Crazy Credits

Closing credits epilogue: "And a special thanks to those very many people who patiently & repeatedly performed as patients & nurses in the hospital ward, and as diners in the Hollandais Restaurant." See more »

Alternate Versions

An edited, R-rated version is available on video. See more »


Soundtracks

Miserere Paraphrase
Written by Michael Nyman
Piano by 'Michael Nyman (I)', Violin by Alexander Balanescu
See more »

Frequently Asked Questions

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User Reviews

 
Color changes everything!
5 May 1999 | by Maurice_RodneySee all my reviews

The "inside story" of this film is color. Most professional reviewers, with nation-wide media exposure, missed this underlying story element entirely, as did I, until half way through my first viewing. Once I realized the colors of the costumes changed, as the characters passed from room to room, I had to go back and see it again. That's how I got hooked.

During the next viewing, I took note of the creativity and effort that went into the design and construction of the costumes, several times, as each one had to be rendered in several colors. The next time through, I noticed how the color of each room related to the activity that normally took place there, even in the outdoor sequences. With the subsequent viewing, I concentrated on the soundtrack.

From that point on, my awareness of all these elements, served to enhance my appreciation of each character and his or her contribution to the story line. That's when the much talked about "gross-out" aspects of the film seemed to diminish in their ability to shock. In fact, by that point, they seemed to fit much more naturally, although the "NC-17" rating is absolutely appropriate.

This is a sumptuous feast for the eyes and ears of intelligent "adult" viewers. Not to be missed.


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