Whitley Strieber goes with his family and some friends to his holiday home in the forest. They experience some weird occurances, are they UFO activity? Whitley is abducted and then faces a ...
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Whitley Strieber goes with his family and some friends to his holiday home in the forest. They experience some weird occurances, are they UFO activity? Whitley is abducted and then faces a horrible dilema; was I abducted or am I going mad? He sees a psychiatrist who tries to use hypnotic regression to discover the truth.Written by
Matthew Stanfield <email@example.com>
On December 26th, 1985, Whitley Strieber had a dream. Weeks later, he discovered his family had the same dream. Months later, he made the most shocking discovery of his life. Now, you will discover it. See more »
Whitley has a picture of "The Great Wave of Kanagawa" by Hokusai on his wall, with an added cartoon character, facing the tsunami with an exclamation mark above his head, drawn in for comic effect. See more »
As Whitley opens the closet to find the teddy bear he opens the right closet door. When filmed from the inside, both doors are open and he then proceeds to close the left door. See more »
An alternate version of Communion (1989) is shown on FOX network television (USA). The alternate version has extra or extended scenes (compared to the theatrical/cable/video version) as follows:
When Whitley (Christopher Walken) visits Dr. Freidman (Basil Hoffman), he describes the visitors while watching a salamander frolic in the physician's aquarium.
When Whitley's Russian friend Alex (Andreas Katsulas) finds Whitley in the diner, he tells Whitley that as a child in his native country he heard stories of small beings who lived in the mines, called Kobolds. He tells Whitley he believes these stories are true;
On the "ship," Whitley dances with the Little Blue Doctors after they exchange greetings (immediately before the "magic show");
Upon the roof of their apartment building, the stars in the sky do NOT momentarily appear to resemble the face of a visitor, as they do in the theatrical/cabletv/video version;
The end credits roll over a night time aerial shot of the Strieber family standing on the shore with New York City behind them.
In 1985, sci-fi novelist Whitney Striber had a dream which led to a close encounter. It became the subject for his book 'Communion' which became a best-seller. Four years later he gives us this. True story though it may be, it is clearly too personal for Striber to manipulate (even just a little bit) to make it the right shape and form for a movie. Instead it remains too abstract, and subsequently clumsy. But that is only half the problem.
Communion wins my award for biggest miscast in cinema history. Christopher Walken does everything wrong, starting with the way he delivers his dialogue. He is not even remotely engaged in the story, he is emotionally dead. Walken is portraying somebody who went though what must've been the most traumatic experience that a person could have. The only time he comes close to showing signs of trauma is his ability to make himself cry (a little) at the end of one scene.
Next, there is the matter of visual effects. If you were to walk into a room where this was on TV, and up to the part when we meet the 'little blue doctors' and their slightly taller, skinnier red-skinned cousins, you might think you were watching an Ed Wood flick, or something from that decade. Looking at these creatures, one is more likely to think they are cute rather than creepy or surreal. Anything that looks like rubber on strings belongs in a puppet theatre, not in a sci-fi thriller.
I guess the only crew member who did a competent job in their field is Eric Clapton, who wrote a good theme for an otherwise mediocre score. Communion has much potential, but sadly it ends up being one of those films that you are glad when it is over.
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