A timid and mute seamstress goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York City after dark and randomly shoots men with a .45 caliber pistol.
Strippers in Manhattan are being stalked and maimed by a psycho-killer. A conflicted ex-boxer-turned-talent-manager and his business partner and friend, who represent some of the girls, set out to find him before he strikes again.
Billy Dee Williams,
A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
Born in the Bronx and raised in upstate New York, Abel Ferrara started his professional film career on Mulberry Street in 1975. For the past year he's been living on the block, and the ... See full summary »
With his crooked face and rough demeanor Abel Ferrara looks and acts like he could have been born in Naples, Italy, the subject and location of his raw and hyperreality film Naples Naples ... See full summary »
An American veteran (Weller) of the Dominican Republic intervention (LBJ era) is running a hotel in Miami, and is trying to put the memories of the intervention behind him. He gets involved with a former Dominican Republic general's wife (McGillis). He then gets duped through a series of intricate plot twists into helping a group of people trying to rip the general off. Based on the novel by Elmore Leonard.Written by
Ed Sutton <email@example.com>
This movie was beset by corporate problems which may account for its rough edges. Elmore Leonard is one of the best detective story writers today, but even as a co-script writer, he couldn't do much with this confusing picture, made from one of his books (a terrific read, incidentally). .Aside from the beautiful art direction, an excellent Chick Correa score that's never gotten much play, and a nicely edgy appearance by the late Charles Durning, the poor man's Sidney Greenstreet, "Cat Chaser," set in the sultry, tropical Dominican Republic, is like wasting away in Margueritaville, sans Margueritas. .One saving grace is the dialogue -- vintage Elmore Leonard, especially the lines given to Charles Durning's character. Leonard is at the top of his game here and Durning's delivery, in his patented New York Irish accent, doesn't let him down. Peter Weller and Kelly McGillis are as unfetching a couple as possible. Director Abel Ferrara has done much better work elsewhere.
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