Three actors learn that their respective performances in the film "Home for Purim," a drama set in the mid-1940s American South, are generating award-season buzz.
Director:
Christopher Guest
Stars:
Catherine O'Hara,
Harry Shearer,
Parker Posey
An aspiring director and the marginally talented amateur cast of a hokey small-town Missouri musical production go overboard when they learn that someone from Broadway will be in attendance.
Director:
Christopher Guest
Stars:
Christopher Guest,
Fred Willard,
Catherine O'Hara
Mockumentary captures the reunion of 1960s folk trio the Folksmen as they prepare for a show at The Town Hall to memorialize a recently deceased concert promoter.
Director:
Christopher Guest
Stars:
Christopher Guest,
Eugene Levy,
Michael McKean
Jack was doing great trading shares until he wasn't. He gets a job on a bike at Quicksilver speed delivery. There he befriends Hector and the cute Terri. Jack gets an enemy in the criminal Gypsy.
Grammy-winning singer Loudon Wainwright III reflects upon his unique relationship with his father in an evening of original songs and heartfelt stories.
The story of a shy boy who gets convinced by his parents to spend a few summer days in the mountains. So, he joins a group, and the vacation begins. Unfortunately, things turn out to be a little tough for our small friend.
Rebellious football player Johnny falls for cheerleader Tracy. They come from opposite backgrounds; she's from a comfortable well off family, his is poor and broken. Tracy already has a ... See full summary »
Nick Chapman graduates from film school, and his short film wins a special prize. This gives him a high enough profile that he can get Hollywood to back the film he has long dreamed of making. Studio exec Allen Habel is interested. But Nick soon is seduced by Hollywood and makes one concession after another until his original movie is lost altogether. Worse, Nick is lost, too, turning on girlfriend Susan and old buddy Emmet. Will he come to his sense before everything is lost?Written by
Reid Gagle
During filming, they rented a luxury house for three days, in which to shoot, not knowing that Charles Bronson had just purchased a house across the street. Before the three days were up, the crew had managed to kill Bronson's cat by accident. The story is related in the book "I Killed Charles Bronson's Cat", written by the movies Location Manager Barry Gremillion. See more »
Goofs
A pointed piece of equipment moves up and out of frame as Lydia is talking to Nick in her apartment. See more »
Quotes
Allen Habel:
We're doing a picture in London right now and everyone is just freaking out.
See more »
This is a good film that is totally stolen by Martin Short. The scenes including his agent character are some of the funniest I've ever seen in a movie. He's absolutely brilliant.
If you can see past the blinding light of Short's performance, there's a likable movie here. Kevin Bacon and his character's storyline are compelling and involving. There are loads of funny cameo-type roles. There's one scene in particular that stands out. It's not funny, it's heartbreaking. I'm talking about the scene where Kevin Bacon picks up Michael McKean in his Porsche, gets a cell phone call, and asks McKean to step out of the car to take the call. Man, that's harsh. It's testament to Bacon's acting charm that his character can be redeemed at all after a stunt like that.
The one thing that seemed consistently not to work here is the fantasy sequences. The movie would play better without them.
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This is a good film that is totally stolen by Martin Short. The scenes including his agent character are some of the funniest I've ever seen in a movie. He's absolutely brilliant.
If you can see past the blinding light of Short's performance, there's a likable movie here. Kevin Bacon and his character's storyline are compelling and involving. There are loads of funny cameo-type roles. There's one scene in particular that stands out. It's not funny, it's heartbreaking. I'm talking about the scene where Kevin Bacon picks up Michael McKean in his Porsche, gets a cell phone call, and asks McKean to step out of the car to take the call. Man, that's harsh. It's testament to Bacon's acting charm that his character can be redeemed at all after a stunt like that.
The one thing that seemed consistently not to work here is the fantasy sequences. The movie would play better without them.