Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
Superman returns to Earth after spending five years in space examining his homeworld Krypton. But he finds things have changed while he was gone, and he must once again prove himself important to the world.
Gotham City. Crime boss Carl Grissom (Jack Palance) effectively runs the town but there's a new crime fighter in town - Batman (Michael Keaton). Grissom's right-hand man is Jack Napier (Jack Nicholson), a brutal man who is not entirely sane... After falling out between the two Grissom has Napier set up with the Police and Napier falls to his apparent death in a vat of chemicals. However, he soon reappears as The Joker and starts a reign of terror in Gotham City. Meanwhile, reporter Vicki Vale (Kim Basinger) is in the city to do an article on Batman. She soon starts a relationship with Batman's everyday persona, billionaire Bruce Wayne.Written by
After seeing an early screening of Clean and Sober (1988), Jon Peters was inspired to cast Michael Keaton as Bruce Wayne (Batman) because of his brooding, against-type performance. Burton's recent success with Keaton on Beetlejuice (1988) made him eager to cast Michael in the role, since he could envision Keaton as someone who would dress up like a bat for effect, and believed his eyes lent him an intensity that would shine through the Batman cowl. Beetlejuice (1988)'s box-office and critical success and Clean and Sober (1988)'s good word of mouth made Keaton's standing with Warner Brothers a preferred choice for the role. Michael E. Uslan had to be convinced by Burton that casting Keaton wasn't going to be a step back towards the camp comedy of the 1966 television show, but Burton and Peters won the casting struggle when Keaton was cast in June 1988. See more »
(at around 53 mins) When the Joker is looking at the photos taken by Bob, he is given four photos. Bob throws the envelope behind him onto the floor. The Joker puts the photo of Knox on the table to see the photo of Vicki. After he says "Stop the press! Who is that?", he is only holding the one photo. Another photo of Vicki is covering the photo of Knox on the table. Then when Bob talks about Vicki, the Joker is back to holding all four photos. None of the photos given to him are on the table at this point. The Joker puts all photos on the table to cut out the one of Vicki. When Bob walks away to get the phone book, the room is seen from a bird's eye view. None of the photos given to the Joker are on the table, and the envelope thrown onto the floor by Bob does not appear. See more »
I'm sorry, this is my cab.
Listen, I was here first!
[as the cab drives away]
Oh, God! Oh, taxi? Taxi!
See more »
The opening credits appear as the camera goes through/around a giant Batman symbol. See more »
The original (non Special-Edition version) Region-1 DVD actually contains two different versions of the film. The fullscreen version is the theatrical version, the widescreen version has one brief shot replaced. It is a small scene near the end at 1:54:06 just before Batman fights the Joker in the Clocktower. In the fullscreen version Vicki Vale gets a disgusted look when she kisses the Jokers jacket and pulls a lint out of her mouth, however in the widescreen version she really seems to like it. See more »
If you were around in summer 1989 then you'll remember that Bat-fever was EV-ER-Y-WHERE! You couldn't look anywhere without seeing the Bat Logo in some incarnation. The film was a mega-hit. People were queueing up around the block for hours (the literal meaning of a blockbuster).
The marketing team at Warner had to saturate the minds of the public with the big-screen coming of the Dark Knight. Up until this point the Batman series from the 1960s is how people regarded the Batman character and universe. Tim Burton corrected all that by giving us a dark, sinister and Gothic world with rich production design and a great score by Danny Elfman (who has made a career out of recycling the same old generic cues in nearly every movie he has scored). The original material is respected (to a degree), and the characters are deep instead of just campy.
Michael Keaton is the best Bruce Wayne in my opinion. When he plays both Bruce Wayne and Batman you have to watch what he doesn't say and doesn't do. He's a rich, socio-phobic megalomaniac who has more money than sense. This is very different from Adam West's turtleneck playboy.
Jack Nicholson is a great Joker too, not quite as intimidating or as iconic as Heath Ledger's take on the character, but still a role that has defined his career in a way. Nicholson's Joker isn't much more than an attention-seeking lunatic. But it's still nothing like Caesar Romero's campy, hopping-skipping-and-jumping villain.
Anton Furst's Oscar-winning design of Gotham City is very original and unique, and is very much in the style of the Comic book. The smoke-blackened, cramped and claustrophobic 1920s buildings look and create a very oppressive atmosphere. This is definitely GOTHam City. Not LA like the TV series.
They didn't even make any attempt with that show did they? In fact the Batcave in the TV series was like the set of a mad scientists lab from a 1950s movie. But the REAL Batcave in this movie is a monstrous cavern filled with stalagmites and it actually HAS bats in it. And there's no fireman's pole leading into it.
With Christopher Nolan's reboot of the franchise currently the only Batman worth considering for most fans, it'd be a shame if you were to let this go ignored. It may not be as mature as Nolan's work but it has an edge that no other recent comic-book movie has.
It's NOT an origin story. There's no 60 precious minutes on a build-up, it just goes straight to the action. Why can't more comic-book movies do this?
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