Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
Gotham City. Crime boss Carl Grissom (Jack Palance) effectively runs the town but there's a new crime fighter in town - Batman (Michael Keaton). Grissom's right-hand man is Jack Napier (Jack Nicholson), a brutal man who is not entirely sane... After falling out between the two Grissom has Napier set up with the Police and Napier falls to his apparent death in a vat of chemicals. However, he soon reappears as The Joker and starts a reign of terror in Gotham City. Meanwhile, reporter Vicki Vale (Kim Basinger) is in the city to do an article on Batman. She soon starts a relationship with Batman's everyday persona, billionaire Bruce Wayne.Written by
One of the reasons why Tim Burton wasn't much of a comic book fan was that he "didn't know which box to read first" as far as following the story through the panels. See more »
(at around 2h) The Bat Signal at the end of the film produces a nice, clean flat image against the sky. A lighted signal such as this, however, would need a backdrop to be cast against to be seen (clouds, for example.) See more »
I'm sorry, this is my cab.
Listen, I was here first!
[as the cab drives away]
Oh, God! Oh, taxi? Taxi!
See more »
The opening credits appear as the camera goes through/around a giant Batman symbol. See more »
An unofficial version of the film has aired on Latin American TV at least once. Besides being dubbed into Spanish, the film's ending is heavily edited as follows: When The Joker puts on glasses and says: "You wouldn't hit a guy with glasses on, would you?" Batman punches him and knocks him over the edge. In the original version the climax continues beyond this point. But in this changed version, The Joker simply plummets to his death after the punch. This was achieved by cutting from the punch to the birds-eye-view shot of The Joker falling. The next shot is simply The Joker lying dead and the crowd of people looming over him. The entire struggle on the ledge and attempted helicopter escape are completely omitted. See more »
No radioactive spider bites or guys turning green or supermodels painted blue here. Campy television series aside, Batman has always seemed the most serious, the most grounded, the most real of all the comic book sagas. Our hero has no magical, mystical superpowers...he's just a guy in a suit. But where does he get those wonderful toys? In this film Tim Burton does a very good job of bringing the Dark Knight to life while also seemingly giving the dark, foreboding city of Gotham a life of its own. Gotham is dark, gloomy, and dreary...almost oppressively so. The city is almost a character unto itself in the film...dark, mysterious and somehow quite real. The brilliantly conceived, stunning visuals are the perfect backdrop for the story which will unfold.
The story follows our Caped Crusader in his quest to clean up Gotham which is in the midst of a frightening crime wave. There was much unnecessary angst when comic actor Michael Keaton landed the title role with fans feeling that was a sure sign the film would lean towards the campy style evident in the famous television series. Nothing could have been further from the truth. Batman would be a serious film (well, as serious as a comic book movie can be) and Keaton was perfect in the Bruce Wayne/Batman role. Keaton's Wayne comes across as an ordinary guy doing extraordinary things. Keaton brings all the required seriousness to the role but also can add a little comic touch when necessary. Inspired casting pays off big time.
Good as he is Keaton is actually overshadowed in the film. Who else but Jack Nicholson could cause the actor playing Batman to get second billing in a movie titled Batman? Nicholson's performance as the Joker is simply terrific. Maybe a little over the top at times but, hey, it's the Joker...he's supposed to be over the top. Nicholson livens up every scene he's in, he simply owns the screen. With two terrific actors doing outstanding work bringing our hero and villain to life the film can hardly go wrong. It's certainly entertaining enough but the film as a whole doesn't quite match the brilliance of the two lead performances. The supporting cast, led by Kim Basinger as the requisite love interest, doesn't add much. Instead of leaving well enough alone with a fantastic Danny Elfman score the whole movie comes to a screeching halt a couple of times while we're forced to listen to some inane Prince songs. And the story just seems to lack a certain zest. We want to see the conflict between Batman and the Joker, these two great characters played by two great actors. And for too much of the film that conflict simply isn't there. But all in all, Batman is certainly a worthy effort. Some top-notch acting, stunning visuals and a story that does just enough to draw you in and hold your attention throughout. To call this film great might be a stretch but one could say it is very, very good. Certainly good enough to be worth your while.
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