At the center of this extremely visualized narrative are the illusionist and his brother, who is lazy on the basis of either great love, or exorbitant envy of the brother. Having spoiled ... See full summary »
Freek de Jonge,
Jim van der Woude,
A bored company owner decides to find out what it is like to be one of his workers. During his "transformation" he falls in love with a cafeteria worker. When his alter ego "The Boss" makes... See full summary »
Dimitri Frenkel Frank
Rijk de Gooyer,
Monique van de Ven,
Geert de Jong
According to an ancient Indian tale a giant monster embryo residing in a crystal vase is predetermined to fertilize a blue-eyed woman. She will give birth to something evil to unleash ... See full summary »
Rudolf van den Berg
Monique van de Ven,
Esmée de la Bretonière,
If it had been written in English instead of Dutch, Gerard Reve's first novel 'De Avonden' (the evenings, 1947) would probably have won international acclaim. Frits van Egters, the main character, could have become the antihero of a generation, like Holden Caufield in Salinger's 'Cather in the Rye' or Jimmy Porter in Osborne's 'Look Back in Anger'. Frits is an emotionally and socially disoriented, sensitive young man, who tries to hide his uncertainty and vulnerability behind his aloofness and a compulsive need to tell shocking jokes. 'De Avonden' gives a realistic picture of drab daily life in post-war Holland. However, underneath this deceptive realism, there a looms a world of fear, truly black humour and repressed (homo-)eroticism. 'De Avonden' was generally considered highly unsuited to be turned into a film, but director Rudolf van den Berg proved everybody wrong. He succeeded in combining the realistic and surreal elements of the novel into a beautiful, sensitive and monumental film, which merits to be seen by more than just Dutch and Flemish viewers, although the BBC broadcast it in the beginning of the 90's. Long live Auntie Beep.
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