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Frits van Egters' life in the last ten days of the year 1946.
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3 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Thom Hoffman ... Frits van Egters
Rijk de Gooyer Rijk de Gooyer ... Vader
Viviane de Muynck Viviane de Muynck ... Moeder
Pierre Bokma ... Maurits
Elja Pelgrom Elja Pelgrom ... Bep
Dela Maria Vaags Dela Maria Vaags ... Pim
Jobst Schnibbe Jobst Schnibbe ... Wim
Gijs Scholten van Aschat ... Viktor
Kees Hulst Kees Hulst ... Joop
Gwen Eckhaus Gwen Eckhaus ... Ina
Gijs de Lange Gijs de Lange ... Jaap
Hilde de Mildt Hilde de Mildt ... Joosje
Sylvia de Leur Sylvia de Leur ... Stien
Leen Jongewaard Leen Jongewaard ... Arie
Cees van Oyen Cees van Oyen ... Wening
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Storyline

Frits van Egters' life in the last ten days of the year 1946.

Plot Summary | Add Synopsis

Genres:

Biography | Drama

Certificate:

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Details

Country:

Netherlands

Language:

Dutch

Release Date:

8 December 1989 (Netherlands) See more »

Also Known As:

Evenings See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Netherland's official submission to the 1990's Oscars as Best Foreign Language Film. See more »

Connections

Referenced in De slimste mens ter wereld: Episode #8.26 (2016) See more »

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User Reviews

 
Beautiful and sensitive adaptation
30 December 2005 | by aveilbriefSee all my reviews

If it had been written in English instead of Dutch, Gerard Reve's first novel 'De Avonden' (the evenings, 1947) would probably have won international acclaim. Frits van Egters, the main character, could have become the antihero of a generation, like Holden Caufield in Salinger's 'Cather in the Rye' or Jimmy Porter in Osborne's 'Look Back in Anger'. Frits is an emotionally and socially disoriented, sensitive young man, who tries to hide his uncertainty and vulnerability behind his aloofness and a compulsive need to tell shocking jokes. 'De Avonden' gives a realistic picture of drab daily life in post-war Holland. However, underneath this deceptive realism, there a looms a world of fear, truly black humour and repressed (homo-)eroticism. 'De Avonden' was generally considered highly unsuited to be turned into a film, but director Rudolf van den Berg proved everybody wrong. He succeeded in combining the realistic and surreal elements of the novel into a beautiful, sensitive and monumental film, which merits to be seen by more than just Dutch and Flemish viewers, although the BBC broadcast it in the beginning of the 90's. Long live Auntie Beep.


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