Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age.
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Title: Aufzeichnungen zu Kleidern und Städten (1989)
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1 nomination.
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Storyline
Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age. Written by Erik Gregersen <erik@astro.as.utexas.edu>
Plot Keywords:
fashion designer | fashion | video camera | tokyo japan | paris france |Genres:
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Details
Release Date:
20 December 1989 (France) See more »Also Known As:
A Notebook on Clothes and Cities See more »Company Credits
Production Co:
Centre Pompidou, Centre de Creation Industrielle, Road Movies Filmproduktion See more »
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Runtime:
Sound Mix:
MonoColor:
ColorAspect Ratio:
1.37 : 1
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written by Akira Miyoshi
interpreted and performed by Koichi Hamanaka & Kazuko Ninomiya
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Did You Know?
Quotes
Wim Wenders: My first encounter with Yohji Yamamoto was, in a way; an experience of identity. I bought a shirt and a jacket. You know the feeling; you put on new clothes, you look at yourself in the mirror, you're content, excited about your new skin. But with this shirt and this jacket, it was different. From the beginning they were new and old at the same time. In the mirror I saw me, of course, only better; more me than before. And I had the strangest sensation that I was wearing... yes, I had no other ...See more »
Soundtracks
Fall In Mid Airwritten by Akira Miyoshi
interpreted and performed by Koichi Hamanaka & Kazuko Ninomiya
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Although this film starts off with a profoundly interesting voice-over about the nature of inspiration, art, and creativity. The film quickly mires in its own self importance and becomes tiresome. Yohji Yamamoto becomes increasingly incoherent both figuratively, with rambling thoughts about fashion, creativity, and gender, and literally, as his thick accent becomes incomprehensible due to the poor sound quality.
Wim Wenders tests several film techniques including split screens, extreme close-ups, and seemingly irrelevant repetitive imagery, which may have been original and interesting in 1989, but are no longer. Worst of all is Wim's monotone voice-overs that become less interesting as the movie progresses. By the end of the hour it becomes difficult to keep your ears and eyelids open. This could have been a fascinating documentary but it's not.