In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
Pete Sandich and buddy Al Yackey are daredevil aerial forest-fire fighters. Pete finds True Love with Dorinda but won't give up the job. When he takes one risk too many, Dorinda faces deep grief and cannot easily put her life back together.Written by
"Always" draws another connection to the movie it is remaking, i.e. the 1943 "A Guy Named Joe," in the song Pete and Dorinda consider 'their song', which is the Jerome Kern and Otto Harbach song "Smoke Gets In Your Eyes." Irene Dunne, who plays Dorinda opposite Spencer Tracy's Pete in "A Guy Named Joe," was the first performer to sing "Smoke Gets in Your Eyes" in a movie: the 1935 "Roberta." See more »
When Pete is called in to report to the fire while at Durinda's house, it's still dark out. He "rushes" to the airbase, but when he arrives it's midday (judging by the sun and shadows). See more »
The hell with it. What this place reminds me of is the war in Europe.
This is deep.
Which I was personally never at, but think about it. The beer's warm, the dance hall's a Quonset, there's B-26s outside, hotshot pilots inside, an airstrip in the woods... it's England, man! Everything but Glenn Miller! Except we go to burning places and bomb 'em till they stop burning. You see, Pete, there ain't no war here.
What's taking her so long?
This is why they don't make movies called 'Night Raid to ...
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On the Blu Ray release, at the very end of the end credits, there is a warning. It reads, in quotation marks: "Caution: Inhaling of helium from balloons is dangerous, and can cause serious injury or death." See more »
At first glance, Always looks like a variation of Ghost, until one realizes it is a remake of a much older movie. But it has something Ghost certainly did not have -- Audrey Hepburn.
In what would be her final big-screen appearance, Audrey is radiant as the angel Hap, who appears all too briefly in the film. From the moment her famous voice is heard, time seems to stop. True, Audrey doesn't have a lot to say -- although her Doctor Who-like non-explanation about time is funny -- the few moments she is on screen are minutes to treasure. If Judi Dench and Ingrid Bergman were able to get Oscars for glorified cameos, it's a shame Hepburn didn't rate a nomination.
Of course, much of what's special about Audrey's role in this film comes from hindsight -- the fact she only had a couple more years to live, and the fact she had only appeared a few times on film in the previous 20 years. But we can be thankful to Steven Spielberg for not only getting Audrey to make the appearance, but also for giving her a classy film in which to make her swan song.
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