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After School (1988)

A student-teacher relationship goes way beyond the classroom, including pre-historic times.

Director:

William Olsen

Writers:

Hugh Parks (screenplay), Joe Tankersley (screenplay) (as Joseph Tankersley) | 2 more credits »
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Cast

Cast overview, first billed only:
Sam Bottoms ... Father Michael McCarren
Renée Coleman ... September Lane
Edward Binns ... Monsignor Frank Barrett
Dick Cavett ... Himself
Page Hannah ... Annie
Don Harvey ... Nathan
Robert Lansing ... C.A. Thomas
Holt McCallany ... Jay
John Perkins John Perkins ... Cardinal Gurney
Carol Surface Carol Surface ... Swim Coach
Tom Nowicki ... Basketball Player #1
Phil Moore Phil Moore ... Basketball Player #2
Robert Jayne ... Basketball Player #3 (as Robert Jacoby)
Jill Miller Jill Miller ... Bookstore Clerk
Virginia Light Virginia Light ... Ice Cream Lady
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Storyline

A student-teacher relationship goes way beyond the classroom, including pre-historic times.

Plot Summary | Add Synopsis

Taglines:

Meet September Johnson - she's a teacher's toughest test!

Genres:

Comedy | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

September 1988 (USA) See more »

Also Known As:

Private Tutor See more »

Filming Locations:

Orlando, Florida, USA

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Box Office

Gross USA:

$3,967

Cumulative Worldwide Gross:

$3,967
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (TVC)
See full technical specs »
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Did You Know?

Trivia

Final role for Edward Binns. See more »

Goofs

When Father Michael McCarren crashes into September Lane's car on his motorcycle, there's no dent on the door. In the next scene where September gets out of her car to check on Father Michael, the car's door is damaged. See more »

Quotes

Cardinal Gurney: How's it going?
Monsignor Frank Barrett: [Watching television] These talk shows are stirring up some controversial issues.
See more »

Soundtracks

Embraced In A Dream
Music by David C. Williams
Words by Glen Relfsteck
Sung by Laura Martier
See more »

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User Reviews

 
A very odd exploitation of eternal social and religious questions.
7 February 2007 | by edinmanSee all my reviews

Set on a contemporary college campus with flashbacks to prehistoric times, this very odd film attempts to question the meaning of love, the nature of God, and the role of the church in establishing societal boundaries. It's also one of relatively few films to feature perennial 70s-80s TV talk show host Dick Cavett on the big screen. Cavett, who rarely shied away from controversial subjects, appears as himself. Sam Bottoms plays a young priest who teaches religion at a Florida Catholic college. A rising star within church hierarchy, Bottoms is selected to go on Cavett's show to defend traditional church teachings about God against an author (and ex-priest) who has written a book suggesting God was created within the human mind. Bottoms accepts the assignment, but at the same time begins to have his own doubts about his commitment to the priesthood. Despite his vow of celibacy, he finds himself increasingly infatuated with a beautiful young student (Renee Coleman) who makes a play for his affections. Coleman, whose role is part naive schoolgirl, part calculated seductress, seems to have little trouble getting under Bottoms' skin or challenging his orthodox beliefs. The priest becomes increasingly obsessed with her while at the same time trying to maintain a state of denial about their mutual sexual attraction. Many of the issues raised here are eternal, if hardly original, and I found the film reasonably entertaining. Least effective, I thought, were the repeated flashbacks to prehistoric times. While apparently intended to be symbolic about the origins of concepts of God, these scenes really didn't tell or add much to the otherwise contemporary story, in my opinion. If anything, they just seemed calculated to add more nudity to the film. This reminded me more of a classic drive-in B-movie from the golden days of exploitation in the 70s rather than one from the late 80s. Within that context I thought it was pretty good.


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