An account of Baron Munchausen's supposed travels and fantastical experiences across late 18th-century Europe with his band of misfits.An account of Baron Munchausen's supposed travels and fantastical experiences across late 18th-century Europe with his band of misfits.An account of Baron Munchausen's supposed travels and fantastical experiences across late 18th-century Europe with his band of misfits.
- Director
- Writers
- Charles McKeown(screenplay)
- Terry Gilliam(screenplay)
- Gottfried August Bürger(novel)
- Stars
Top credits
- Director
- Writers
- Charles McKeown(screenplay)
- Terry Gilliam(screenplay)
- Gottfried August Bürger(novel)
- Stars
- Nominated for 4 Oscars
- 11 wins & 14 nominations total
Robin Williams
- King of the Moonas King of the Moon
- (as Ray D. Tutto)
Andrew MacLachlan
- Colonelas Colonel
- (as Andrew Maclachlan)
- Director
- Writers
- Charles McKeown(screenplay)
- Terry Gilliam(screenplay)
- Gottfried August Bürger(novel) (uncredited)
- All cast & crew
- See more cast details at IMDbPro
Storyline
The fantastic tale of an 18th century aristocrat, his talented henchmen and a little girl in their efforts to save a town from defeat by the Turks. Being swallowed by a giant sea-monster, a trip to the moon, a dance with Venus and an escape from the Grim Reaper are only some of the improbable adventures. —Keith Loh <loh@sfu.ca>
- Taglines
- Remarkable. Unbelievable. Impossible. And true.
- Genres
- Certificate
- PG
- Parents guide
Did you know
- TriviaRobin Williams was a last-minute casting after the budget had run out, and performed his role uncredited and unpaid.
- GoofsA crew member is visible in the lower right hand corner during the pull back from the underwear balloon just moments before one of the guards says, "We'd better tell someone about this." He is a man wearing a blue satin jacket, which clearly reads "King Kong Lives (1986)" in red lettering.
- Crazy creditsThe King of The Moon - Ray D. Tutto (homonym of Italian re di tutto=king of all). The actor's real name is Robin Williams.
- Alternate versionsRecent prints, including home video reissues, have included a new card during the end. It has been inserted between the end title and "The End" and reads: "This is a new motion picture. This motion picture is not to be confused with the UFA/Transit/Murnau 1942/43 motion picture bearing the title 'The Adventures of Baron Munchausen'." This refers to the German production of Münchhausen (1943) that was made during the Nazi era and underwent restoration by the F.W. Murnau Foundation during the 1990s.
- SoundtracksThe Torturer's Apprentice
Music & Lyrics by Michael Kamen & Eric Idle
Used by the permission of K Man Corporation & Kay-Gee-Bee Music Limited
Top review
Tedious with occasional spurts of imagination
I went to see this film in a bargain theater in 1988 after its disastrous release. I fell asleep and missed virtually the entire film.
So after 22 years, I watched it on cable and realized that I probably was better off having a nap than sitting through this bloated, self-indulgent Gilliam extravaganza.
Gilliam obviously has a wonderful visual sense, but his need to always go over the top has doomed many of his film projects. He tries to blame the failure of MUNCHAUSEN on Dawn Steel, and he certainly did get a bad deal from Sony, but this movie would never have been a hit even with major PR behind it. It's too confusing and dark for kids, and too boring for adults. There's no linear sense, just set pieces strung together. The truly inspired bits would take about 20 minutes to watch.
I'm surprised that any studios ever green-light a Gilliam project, with his history of spending enormous sums with little return on investment. As far as I can tell, the last Gilliam movie that made any money was the excellent TWELVE MONKEYS in 1995.
If you want to watch some films by a director with a knack for engaging visuals, but who also knows how to make a plot work, try Jean-Pierre Jeunet.
So after 22 years, I watched it on cable and realized that I probably was better off having a nap than sitting through this bloated, self-indulgent Gilliam extravaganza.
Gilliam obviously has a wonderful visual sense, but his need to always go over the top has doomed many of his film projects. He tries to blame the failure of MUNCHAUSEN on Dawn Steel, and he certainly did get a bad deal from Sony, but this movie would never have been a hit even with major PR behind it. It's too confusing and dark for kids, and too boring for adults. There's no linear sense, just set pieces strung together. The truly inspired bits would take about 20 minutes to watch.
I'm surprised that any studios ever green-light a Gilliam project, with his history of spending enormous sums with little return on investment. As far as I can tell, the last Gilliam movie that made any money was the excellent TWELVE MONKEYS in 1995.
If you want to watch some films by a director with a knack for engaging visuals, but who also knows how to make a plot work, try Jean-Pierre Jeunet.
helpful•104
- LCShackley
- May 5, 2010
Details
- Release date
- Countries of origin
- Language
- Also known as
- Die Abenteuer des Baron Münchhausen
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $46,630,000 (estimated)
- Gross US & Canada
- $8,083,123
- Opening weekend US & Canada
- $597,400
- Mar 12, 1989
- Gross worldwide
- $8,083,123
- Runtime2 hours 6 minutes
- Color
- Aspect ratio
- 1.85 : 1
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By what name was The Adventures of Baron Munchausen (1988) officially released in India in English?
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