The Hamburg police arrest an international businessman, charging him with smuggling heroin from Pakistan. While he's on trial, his trophy wife, a former Olympic swimmer, discovers steely ...
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Jack returns to England utterly changed by his downbeat experience in Pakistan, with his career and family life in ruins as he is forced to resign his post, as well as struggle to help Caroline and ...
A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.
Benicio Del Toro,
A three-part miniseries that offers a look into the world of trafficking, where drugs, weapons, and even people are traded all over the world. Here, the lives of three Seattle-based men ... See full summary »
The murder of a Soviet defector forces his old handler, British spymaster George Smiley, out of retirement. His investigation leads to an old nemesis, the Soviet spymaster known only as Karla. This will be their final dance.
The Hamburg police arrest an international businessman, charging him with smuggling heroin from Pakistan. While he's on trial, his trophy wife, a former Olympic swimmer, discovers steely ruthlessness within herself. In Pakistan, the British home minister tours the poppy-eradication project and returns to London to find that his daughter is a heroin addict. While trying to save her, and helped by a crusading attorney, he learns the limits of government policy. Fazal, a peasant burned off his land where he farmed poppies, goes to Karachi and works for Tarik Butt, a murderous drug lord. Fazal's frankness and sense of worth are his strength and his liability. Stories cross and collide.Written by
Hauning score intensifies the sorrow and desperation of Traffik
I can only agree with many observers that Traffik is one of the most memorable dramas ever made for television. I saw Traffik when it was on TV, and I have just watched it again. I am particularly moved by the haunting original music of Tim Souster, and especially by the dolorous strains of Dmitri Shostakovich's Chamber Symphony in C minor ( the music over the credits and in parts of the film). The music intensifies the desperation of the characters as they pursue their sad fate. The music is powerfully emotional. This arrangement combines two of the movements from the symphony, but I recommend listening to the symphony per se.
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