6.2/10
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85 user 87 critic

Waxwork (1988)

A wax museum owner uses his horror exhibits to unleash evil on the world.

Director:

Anthony Hickox

Writer:

Anthony Hickox
Reviews

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ON DISC
2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Zach Galligan ... Mark
Jennifer Bassey ... Mrs. Loftmore
Joe Baker Joe Baker ... Jenkins
Deborah Foreman ... Sarah
Michelle Johnson ... China
David Warner ... Waxwork Man
Eric Brown ... James
Clare Carey ... Gemma
Buckley Norris ... Lecturer
Dana Ashbrook ... Tony
Micah Grant Micah Grant ... Johnathan
Mihaly 'Michu' Meszaros ... Hans (as Mihaly 'Michu' Mesza)
Jack David Walker Jack David Walker ... Junior (as Jack David Warner)
John Rhys-Davies ... Werewolf
Nelson Welch Nelson Welch ... Elderly Man
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Storyline

A waxwork museum comes to town, and a mysterious man invites some teens to come to a special showing at midnight. Once inside, while viewing different exhibits, the scenes come alive and the viewer is sucked into the story being portrayed. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

Stop On By And Give Afterlife A Try. See more »

Genres:

Comedy | Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | West Germany | UK

Language:

English

Release Date:

17 June 1988 (USA) See more »

Also Known As:

A Passagem See more »

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Box Office

Gross USA:

$808,114
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (unrated)

Sound Mix:

Dolby

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Eighteen wax horror exhibits are seen, including: - Count Dracula, the Phantom of the Opera, a witch, the Marquis De Sade, a werewolf, a mummy, a voodoo priest, a zombie, an urban legend killer (an axe murderer), the Invisible Man, Frankenstein's monster, an Invasion of the Body Snatchers (1956) pod, a demonic baby (from It's Alive (1974)), an alien creature, a "cobra-man" circus freak, Jack the Ripper, Mr. Hyde, and a golem. See more »

Goofs

(at around 32 mins) In the vampire scene, China is in the kitchen with what's supposed to be her fiancé. The fiancé is strapped to the butcher's block with his left leg stripped of flesh and muscle from the knee down so there's nothing but bone. A rat is seen gnawing on the bone causing him pain. Trouble is, all the nerves were stripped away so he shouldn't have been feeling pain. See more »

Quotes

[first lines]
Mrs. Loftmore: Darling.
Mark Loftmore: Hmm?
Mrs. Loftmore: I hear you were having drinks with the butler the other night. Now, you know that sort of thing leads to anarchy.
See more »

Crazy Credits

Dedicated to Hammer, Argento, Romero, Dante, Landis, Spielberg, Wells, Carpenter, Mom and Dad, and many more ... See more »

Alternate Versions

Available in both R and unrated versions. See more »

Connections

References The Mummy (1959) See more »

Soundtracks

Sing Sing Sing
(uncredited)
Written by Louis Prima
Performed by Benny Goodman and His Orchestra
Date of recording: January 16, 1938
See more »

Frequently Asked Questions

See more »

User Reviews

 
Step Over The Rope And Abandon All Hope...
5 December 2008 | by cchaseSee all my reviews

The Eighties...what a great, fertile, inventive time that was for horror. When the major studios discovered back in the late Seventies that indie horror flicks were cheap to make or just buy outright and distribute, they started crankin' 'em out...by the DOZENS. Way back when, THE EXORCIST turned the faucet on. The movies that would launch long-term franchises filled the tub. HALLOWEEN. Friday THE 13th. A NIGHTMARE ON ELM STREET. And then the tub started spilling over. CHILD'S PLAY. THE HITCHER. THE LOST BOYS. NEAR DARK. FRIGHT NIGHT.

Every company, great and small, started looking for the next EXORCIST, ALIEN, JAWS...the next big thing that would make millions. Enter Vestron Video. Vestron had started out doing some of the first direct-to-video pictures ever made, discovering that the market was HUGE. So big, in fact, that they started a movie division, Vestron Pictures. Their strategy was simple: make good (if not great) genre pics that would put asses in the seats, that they could then distribute through the video arm later on.

One of Vestron Pictures' first releases was a little number called WAXWORK. The plot of the old horror classic MYSTERY IN THE WAX MUSEUM was such a tried and true staple, the studios kept falling back on it again and again, finding fresh ways to retell the story.

WAXWORK took a little different approach from the straight-ahead versions, with a cast and a sensibility for horror that still screams "Me Decade" even today. Check out the victim's list: Zach Galligan (GREMLINS.) Michelle Johnson (BLAME IT ON RIO.) Deborah Foreman (VALLEY GIRL). Dana Ashbrook (TWIN PEAKS). Miles O' Keefe (TARZAN THE APE MAN). Then you throw in vets like David Warner, Patrick McNee, J. Kenneth Campbell, John Rhys-Davies, tap Bob Keen (HELLRAISER) to do make up effects, and you have yourself an Eighties' classic!

Like most films of the period, it starts off with a group of bored, young slacker-types looking for thrills, something...ANYTHING that would be a little more exciting than getting high, getting drunk, getting laid (well, ALMOST more exciting than that), and definitely more of a kick than going to college classes!

They find it, alright - in the form of an invitation to a brand new kind of museum. And this one is not your garden-variety, Madame Tussaud's-wannabe. The wax figurines are so lifelike that the displays seem to draw you in...

Well, okay, they DO draw you in. Here's the kicker: the displays are dedicated to some of the most well-known figures in the history of horror: Dracula. The Wolfman. The Mummy. The Marquis de Sade. Reenactments of their most horrible deeds as they drained blood, hacked and tore off limbs or crushed their helpless victims to death. Seeing the scenes gives patrons the feeling of being in the moment...but if they give in to the compulsion of stepping across the velvet rope around each display, they will find themselves living in that moment...FOR REAL.

And here's the REALLY bad news...if the monsters in each display kill you in the 'waxwork dimension', you become a permanent part of the display...FOREVER. So once that happens, the situation couldn't get worse...could it?

Oh, yeah! The proprietor of the museum has a darker agenda than just dispatching troublesome teens, as our heroes and victims discover with each person who 'disappears' into the museum. And seeing how that plan gets foiled is only part of the giggly, gory fun.

Remember that I mentioned that Bob Keen was the effects guy on this? He got his start as a modeler for movies like STAR WARS, SUPERMAN and ALIEN, cutting his teeth as he worked up to projects like HELLRAISER and THE UNHOLY. But he really served up his calling card with HELLRAISER and with this movie. Gore-wise, this is where the retelling of the Wax Museum story gets more interesting...because thanks to Bob, the visuals go where they never had before.

In a manner that would've made the suits at Universal flinch back in the Thirties, Keen and writer/director Anthony Hickox do away with the "quaint violence" that Famous Monsters used to wreak upon their poor victims. No camera pull-aways here, folks. Where somebody might only threaten to "rip off your head and crap down your neck", these boogeymen take that threat to its most intense extremes. No CGI fakery, either. This was back-in-the-day where almost all the effects were practical, live and in-ya-face...the way we like it!

Okay, so the clothes, the music, the casting and even the acting squarely establish this as what could be considered a "period piece" for horror, I guess. But like his colleagues David Schmoeller, Ted Nicolaou, Stuart Gordon and on occasion Charles Band himself, Hickox knows how to get the action going and keep it that way.

This is one of those gems that might've slipped under your radar, but definitely worth seeking out, hunting down and dragging back home to mount in your DVD library.


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