An episodic look at a young man's life in Mexico's national highway patrol. We follow Pedro Rojas from cadet training and his rookie assignment in a northern border area, to his quick ... See full summary »
A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of ... See full summary »
Bill is a pizza delivery driver who is drugged and shanghaied into the Space Troopers. Bill initially works as a fuse tender but when his ship is struck by enemy fire he finds himself the only remaining soldier capable of firing back.
The 'has-been' Hollywood Western actors, Mel Torres and Fred Fletcher, hear Fritz Frobisher will attend a screening of one of his movies in Arizona. They decide to go exact revenge on him ... See full summary »
Director:
Alex Cox
Stars:
Del Zamora,
Andres Carranza,
Jason Norquist
A digital remastering and re-cut version of the 1987 film, "Straight to Hell Returns" revolves around a group of hapless bank robbers who bury their loot and attempt to hide out in what ... See full summary »
An American art dealer (Miguel Sandoval), who specializes in southwestern topaz, arrives by train in Liverpool. Similarly, a very proper British art dealer (Alex Cox), who specializes in ... See full summary »
The Tombstone story told in the style of the Japanese classic Rashomon where we see history from several perspectives including that of Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Hafford and Johnny Behan
Director:
Alex Cox
Stars:
Adam Newberry,
Jesse Lee Pacheco,
Christine Doidge
As a repo chick, wealthy bad-girl Pixxi and her entourage get mixed up in a devious kidnapping plot that threatens to wipe out the city of Los Angeles.
A young punk recruited by a car repossession agency finds himself in pursuit of a Chevrolet Malibu that is wanted for a $20,000 bounty - and has something otherworldly stashed in its trunk.
Director:
Alex Cox
Stars:
Harry Dean Stanton,
Emilio Estevez,
Tracey Walter
William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat. All is being financed by an American multimillionaire who has his own interest in this country.Written by
Volker Boehm
According to the Turner Classic Movies website, the "film had the complete cooperation from the Sandanista Government, and the Nicaraguan Cinema Institute". See more »
Goofs
This film is littered with anachronisms (for example: modern cars, color printed magazines and coca cola bottles). However, these are clearly an artistic choice by the film-maker and cannot be considered true 'goofs'. See more »
Quotes
Yrena:
I have a weakness for small men. Small puritans obsessed by power.
See more »
Alternate Versions
All horsefalls using tripwires were cut from the UK release, but the complete version has been shown twice on network TV (BBC2). See more »
Walker was both a box office and critical failure upon its initial release, and even though it's not hard to see why (viewers expecting a historic drama played straight, by Cox of all directors, will be sorely disappointed), it certainly deserves to be rediscovered by a whole new audience. OK maybe Cox tries to be "cult" a little too hard for his own good, but that aside he pulls it off surprisingly well. Ed Harris is OK in the leading role but I would have LOVED to see Gary Oldman portray the semi-insane William Walker. If any role called for scenery consumption, it's this one. Watch it for the great Peckinpah-esquire shooting in slow motion, the amusing anachronisms (choppers, computers, Newsweek magazines, Coca-Cola bottles, Marlboros), the general air of absurdity and psychotronic charm, the comedic touches, the political commentary and the great cinematography. Walker is good exactly because it refuses to take itself overly serious.
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Walker was both a box office and critical failure upon its initial release, and even though it's not hard to see why (viewers expecting a historic drama played straight, by Cox of all directors, will be sorely disappointed), it certainly deserves to be rediscovered by a whole new audience. OK maybe Cox tries to be "cult" a little too hard for his own good, but that aside he pulls it off surprisingly well. Ed Harris is OK in the leading role but I would have LOVED to see Gary Oldman portray the semi-insane William Walker. If any role called for scenery consumption, it's this one. Watch it for the great Peckinpah-esquire shooting in slow motion, the amusing anachronisms (choppers, computers, Newsweek magazines, Coca-Cola bottles, Marlboros), the general air of absurdity and psychotronic charm, the comedic touches, the political commentary and the great cinematography. Walker is good exactly because it refuses to take itself overly serious.